Badhaai Ho Badhaai (2002)
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Set against the backdrop of the turbulent period in the late 60's leading up to Bangladesh's independence from Pakistan, MATIR MOINA (The Clay Bird) tells the story of a family torn apart by religion and war. A young boy, Anu, is sent off to a strict Islamic school, or madrasa, by his deeply religious father Kazi. As the political divisions in the country intensify, an increasing split develops between moderate and extremist forces within the madrasa, mirroring a growing divide between the stubborn but confused Kazi and his increasingly independent wife. Touching upon themes of religious tolerance, cultural diversity, and the complexity of Islam, MATIR MOINA has universal relevance in a crisis-ridden world.
These days it seems that nothing is as polarizing and controversial as religious belief. Everywhere one goes it seems that people are asking the question: Do we even need religion? Is it limiting our understanding? What kind of world is being produced by these faith systems? Regardless of your answers to these questions, it is hard to deny that worship still plays an important role in many people's lives and many people simply do not understand where others are coming from. Believers is a unique exploration of those questions related to faith by focusing the lens on five of the world's belief systems, Agnosticism, and the new Atheism. The film follows Sacha Sewhdat's personal journey towards understanding as he searches for the value of religion in modern society. With honesty and objectivity Sacha explores what it means to believe in a higher power or what it would mean to let those beliefs go. It will both inform and challenge what you know about religion in the 21st Century.
A portrait of Lord Longford, a tireless British campaigner whose controversial beliefs often resulted in furious political debate and personal conflict.
Back from their trip abroad, the family must meet the people of the neighborhood while preparing for the 25th anniversary of Zonnedael. Ma falls in love with a bum that is not exactly what he seems to be.
A suburban family is torn apart when fourteen-year-old Annie meets her first boyfriend online. After months of communicating via online chat and phone, Annie discovers her friend is not who he originally claimed to be. Shocked into disbelief, her parents are shattered by their daughter's actions and struggle to support her as she comes to terms with what has happened to her once innocent life.
Traditional Sunday dinners at Mama Joe's (Irma P. Hall) turn sour when sisters Teri (Vanessa L. Williams), Bird (Nia Long) and Maxine (Vivica A. Fox) start bringing their problems to the dinner table in this ensemble comedy. When tragedy strikes, it's up to grandson Ahmad (Brandon Hammond) to pull the family together and put the soul back into the family's weekly gatherings. Michael Beach, Mekhi P
Three friends, whose lives have been drifting apart, reunite for the funeral of a fourth childhood friend. When looking through their childhood belongings, they discover a trunk which contained details on a quest their friend was attempting. It revealed that he was hot on the trail of the $200,000 that went missing with airplane hijacker D.B. Cooper in 1971. They decide to continue his journey, but do not understand the dangers they will soon encounter.
At popular South Beach University, filthy rich super-snob Victoria English is the absolute queen of leading Greek student club, Sigma Sigma. In order to achieve her crowning ambition, winning FHM Magazine's annual best sorority, she must recruit atypical 'Sigmies' to fulfill the diversity criteria. Ambitious sycophant pledge Kristen Haas helps her attract 'losers' (too poor, ugly, unfashionable), who are cruelly put through excruciating hazing, without intent to actually enroll them. Gloria, the brightest and most assertive pledge, wins the heart of Derek 'baby Dick', Victoria's ideal, yet constantly abused boyfriend, whose bitch-addiction is cured by this alternative lover. Together they lead the revolt of the not-even-nerds.
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Shortbus revolves around a sexually diverse ensemble of emotionally challenged characters trying desperately to connect in New York City. The characters converge in a weekly Brooklyn artistic/sexual salon loosely inspired by various underground NYC gatherings that took place in the early 2000's. The film includes a variety of explicit scenes containing non-simulated sexual intercourse with visible penetration and male ejaculation.
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In Las Vegas for a quicky divorce, a just-paroled ex-cop and his wife wander into the Top of the World Casino, run by the shady Charles Atlas. They win big, right as the casino is being robbed. The police believe their big win was a staged diversion, and the two of them become suspects. Over the course of the evening and next morning, the two attempt to escape to surrounded casino, and to prove their innocence, as well as to save their marriage.
From the masters who create the mind-bending diversions to the tense competition at the American Crossword Puzzle Tournament, Patrick Creadon's documentary reveals a fascinating look at a decidedly addictive pastime. Creadon captures New York Times editor Will Shortz at work, talks to celebrity solvers -- including Bill Clinton and Ken Burns -- and presents an intimate look at the national tournament and its competitors.
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Barry McKenzie sets off for England with his aunt, Edna Everage, to advance his cultural education. Bazza is an innocent abroad, fond of beer, Bondi and beautiful sheilas, but he soon settles into the Australian ghetto in Earls Court, where his old mate Curly has a flat.
At some point, everyone has asked the question, why is it so hard to find love? In this final installment of the autobiographical trilogy that includes Vinyl and I, Curmudgeon, Alan Zweig reflects with disarming candour on why, if he longs for a partner and children, he is still single at mid-life. Through intimate, heartfelt and often hilarious interviews with a series of diverse, smart and attractive single women, Zweig explores yearnings for the romantic myths of our culture and the difficulty of finding and sustaining relationships. Some women have come to accept and prefer being alone, but many still dream of a future they can share. Rather than remaining the objective observer, Zweig approaches his female subjects as kindred spirits, sharing their vulnerability and openness. A perfect mixed tape of love songs provides the backdrop for this courageously candid look at love and longing.
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In the mid-1990's, spurred on by both the sudden world-domination of bands such as Oasis and Prime Minister Tony Blair's "Cool Brittania" campaign, British culture experienced a brief and powerful boost that made it appear as if Anglophilia was everywhere--at least if you believed the press. Pop music was the beating heart of this idea, and suddenly, "Britpop" was a movement. Oasis, their would-be rivals Blur, Pulp, The Verve, and many more bands rode this wave to international chart success. But was Britpop a real phenomena, or just a marketing ploy? This smart and often hilarious documentary probes the question with copious interviews from Noel and Liam Gallagher of Oasis, Pulp's Jarvis Cocker, Damon Albarn of Blur, Sleeper's Louise Wener, and many other artists and critics who suddenly found themselves at the cultural forefront.
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