The Blue Lamp (1950)
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Chan Ka Kui is a Hong-Kong policeman, who single handedly captures and arrests a big drug lord. The drug-lord then frames Chan with the murder of a corrupt cop. Now a fugitive cop killer, Chan Ka Kui must try to catch the drug lord and clear his name.
A Hong Kong detective teams up with his female Red Chinese counterpart to stop a Chinese drug czar.
In this tense thriller, Ma Shan (Wen Jiang) is a Chinese police detective who awakes one morning after a night of heavy drinking at his sister's wedding reception to discover that his gun has been stolen. Since only police officers are allowed to carry firearms, Ma Shan is alarmed about the deadly possibilities of the theft, and he sets out to find his weapon; however, the memories of Ma Shan's friends are as hazy as his own regarding the wedding, and no one can tell who drove him home. The situation comes to a head when Ma Shan's former girlfriend arrives in town for a visit and is soon found shot dead with the bullets matching those used in his gun.
The Hong Kong super-cop must stop a group of blackmailing bombers at the same time that the villains of the first Police Story are out for revenge.
Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry who, framed for murder, escapes San Quentin and soon emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is."
Rama Chandra (played by Daggubati Venkatesh) is the Deputy Commissioner of Police of Hyderabad City. His upbringing as an orphan, and the special nature of his job as a policeman, have left him reluctant to form relationships with women. He doesn't have much faith in the judicial system and seeks to 'eliminate' the criminals in the town through encounters.
Tough NYC police detective Dixon misses out on a promotion because of his record of roughing up suspects. When accidentally kills a suspect in a murder case he plants clues to absolve himself. But when the father of a woman he recently fell in love is accused of the crime his plan looks like back firing.
Recently paroled from prison, legendary burglar "Doc" Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.
In another typical Jean-Paul Belmondo vehicle, the French action hero plays a policeman prone to advancing the cause of justice by any means necessary. On his agenda is a powerful drug cartel working out of Paris and Marseilles, with a drug lord (Henry Silva) who is essentially inaccessible -- but not immortal. Stunts (performed by Belmondo) and chase scenes on land and water enliven the story, but the scenes with Belmondo's love interest are rather marginal themselves.
The black policeman Russell Stevens applies for a special anti-drug squad which targets the highest boss of cocaine delivery to LA: the Columbian foreign minister's nephew. Russell works his way up from the bottom undercover, until he reaches the boss. First step is to get the lawyer and hobby dealer David Jason to trust him.
Sent into a drunken tailspin when his entire unit is killed by a gang of thrill-seeking punks, disgraced Hong Kong police inspector Wing (Jackie Chan) needs help from his new rookie partner, with a troubled past of his own, to climb out of the bottle and track down the gang and its ruthless leader.
A tough detective who is part of an elite New York City unit is trying to find out who killed his partner, but uncovers a plot to kidnap mobsters for money.
After her cheating husband leaves her, Mildred Pierce proves she can become independent and successful, but can't win the approval of her spoiled daughter.
Charles Dobbs is a British secret agent investigating the apparent suicide of Foreign Office official Samuel Fennan. Dobbs suspects that Fennan's wife, Elsa, a survivor of a Nazi Germany extermination camp, might have some clues, but other officials want Dobbs to drop the case. So Dobbs hires a retiring inspector, Mendel, to quietly make inquiries. Dobbs isn't at all sure as there are a number of anomalies that simply can't be explained away. Dobbs is also having trouble at home with his errant wife, whom he very much loves, having frequent affairs. He's also pleased to see an old friend, Dieter Frey, who he recruited after the war. With the assistance of a colleague and a retired policeman, Dobbs tries to piece together just who is the spy and who in fact assassinated Fennan.
The adventures of a skillful Belgrade policeman who proves to be equally successful as a caring father.
A cop decides to take on his godfather, who raised him from childhood, and make him realize the error of his ways.
The film revolves around two brothers, the elder being sensitive to violence and the younger being a jobless rogue, settled in Thoothukudi. After the death of their father, a police officer, the elder brother takes on the same job by request of the younger. The older brother rises to fame in his job by having his younger brother secretly punish suspects and save victims for him. This angers two of the village's biggest mob bosses, who begin to seek revenge on the elder brother. After getting severely beaten by them, the elder brother loses his fear and becomes physically stronger through training from his younger brother. How the brothers get back at two gangs and protect their families form the rest of the story. The film was released worldwide on 13 January 2012 to mixed reviews
Azulai is a policeman in Jaffa, whose incompetence is only matched by his soft-heartedness. His superiors want to send him to early retirement, but he would like to stay on the force, and the criminals of Jaffa don't want to see him leave either...
A semi-autobiographical account of Makmahlbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
From Wikipedia, the free encyclopedia. T-Men is a semidocumentary style 1947 film noir shot in black-and-white. The film was directed by Anthony Mann with cinematography by noted noir cameraman John Alton. The B-movie is featured in Visions Of Light: The Art Of Cinematography (1992) documentary for the drama's use of lighting. Description above from the Wikipedia article T-Men, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Fed up with her wealthy but abusive husband, Tom (Basil Dignam), young English homemaker Laura Wilton (Anne Heywood) conspires with her lover, American Army captain Dave Dillon (Robert Arden), to have her boozy spouse meet an "accidental" demise. But a nosy copper (Denis Shaw) suspects foul play, and soon the lovers' crafty scheme deteriorates into fear, distrust and betrayal. Paul Dickson directs this vintage noir thriller.
By a strange twist of fate, dutiful Hong Kong policeman Dan saves the life of the leader of a violent gang of armed robbers. When they commit another crime, Dan is determined to put an end to their activities. He works with the leader, whom the gang had betrayed, to engineer a plan to wreak havoc within the gang and let the gangsters kill one another. But it becomes increasingly obvious to Dan and to his colleagues that Dan is suffering from a severe mental disorder, and Dan finds that instead of upholding the law as a righteous police officer, he has now become a fugitive wanted for murder.
A policeman from Stockholm come to Norrbotten in Sweden, to join his brother, now when their father is dead. While there he starts to work on a long-running case where reindeers have been poached and soon discovers that his brother is involved...
The feature-film debut of famed director Louis Malle is an interesting, modern film noir with the classic theme of lovers plotting to kill the husband and make it look like suicide (reminiscent of The Postman Always Rings Twice). Jeanne Moreau gives an astonishing performance, perverse but naive as she leads her young lover down a path that can only lead to doom for both of them.
Newspaper reporter John McGuire plunges into a nightmare of guilt, fearing that his "evidence" has sentenced the wrong man to death. A stunning example of cinematic expressionism, cited by many as the first studio film shot in a completely noir style. Peter Lorre virtually reprises the eerily convincing persona he created in Fritz Lang's M, adding an emotion-wringing melancholia to his performance as a paranoid, lost soul. Featuring the astounding art direction of Van Nest Polglase and the brilliant cinematography of Nicholas Musuraca, as well as reportedly uncredited script work by Nathanael West (The Day of the Locust)!
Eleven-year-old Johannes is found dead in a barn after he has been sexually abused. Lindman is charged with telling the father, whom he knows from a local shooting club, but is taken off the case for previous unprofessional contact and pursues his own investigations. The prime suspect, a man seen chatting to Johannes at a supermarket, is found dead but his neighbour, an ex-policeman, had already arrested a similar child killer years earlier. As the investigation continues, it is clear that child pornography is involved, reopening old memories for Lindman.
Based on Jay Dratler's novel The Pitfall, André de Toth's gripping film is a classic L.A. noir in the tradition of Detour, and shows the spiraling, epic consequences resulting from one fateful decision.
Stark, perverse story of murder, kidnapping, and police corruption in Mexican border town.
A film noir drama in which a sophisticated con man, who has just stolen from the mob, is forced to impersonate a psychiatrist who looks just like him, going so far as to cut himself on the cheek to duplicate a similar scar on the doctor. When he takes matters even further, karma arrives, forcing him to pay the debts of his double.
Private detective Philip Marlowe is asked by a publishing executive, Adrienne Fromsett, to locate the wife of her boss, publisher Derace Kingsby. Earlier she had sent her husband a telegram saying she was heading to Mexico to marry Chris Lavery. However Kingsby had recently seen Lavery in the neighbouring Bay City. Marlowe pursues his investigation at the Kingsby's lakeside cottage.
Holmes is hired by Roland Carstairs to prevent the theft of the Star of Rhodesia, an enormous diamond owned by Carstairs' mother, Lady Margaret. Believing the diamond will be stolen on a train trip from London to Edinburgh, Holmes deftly switches diamonds with Lady Margaret while in her compartment. Soon after, Roland is murdered and the fake diamond is stolen.
I Died a Thousand Times is essentially a remake of the 1941 crime-drama classic High Sierra. Jack Palance steps into the old Humphrey Bogart role as Roy "Mad Dog" Earle, the ageing bank robber who intends to pull off one last heist before retiring. Sprung from prison by likeable crime boss Big Mac (Lon Chaney Jr.), Earle is commissioned to mastermind the robbery of a resort hotel. His partners in crime include the hotheaded, immature Babe (Lee Marvin) and Red (Earl Holliman), as well as "inside man" Mendoza (Perry Lopez). Also along for the ride is Marie (Shelley Winters), a dance-hall girl whom Babe has picked up. Marie falls in love with Earle, but he has eyes only for Velma (Lori Nelson), the club-footed daughter of a farmer (Ralph Moody) whom Earle had earlier befriended. While the 1955 film cannot match the excellence of its 1941 role model, I Died a Thousand Times works quite well on its own terms.
A big-city cop is reassigned to the country after his superiors find him too angry to be an effective policeman. While on his temporary assignment he assists in a manhunt of a suspected murderer.
Otto Preminger's classic film noir offering captures the common postwar struggle to get ahead, and one man's balancing act between two women. Dana Andrews stars as a drifter named Eric Stanton, who, after landing in a small California town, falls in love with Stella (Linda Darnell), a diner waitress. She makes it clear that she'll have nothing to do with Eric unless he has some money, so he hatches a plan to marry June Mills (Alice Faye), a wealthy reclusive spinster who is in love with him. Unfortunately, right after the wedding, Stella turns up dead, and the blame is placed on Eric.
Danny Haley's bookie operation is shut down, so he and his pals need money; when Danny meets Arthur Winant, a sucker from out of town, he decoys him into a series of poker games where eventually Winant loses $5000 that isn't his... then hangs himself. But it seems Winant had a shadowy, protective elder brother who believes in personal revenge.
Champion competitive marksman Ken comes across an armored van robbery. He sees a policeman held hostage and shoots and kills four of the robbers. One of the robbers escapes and the policeman survives. The case is handled by Jerry Chang, whom Ken knows from having recently beaten him in a shooting match. Ken is found not guilty in court. Soon after, Ken is attacked by the escaped robber Pang Tao. Their confrontation reveals a very different background story and brings about a myriad of lies and traps and changes in relationships as Jerry and Ken try to outsmart each other.
A beautiful felon, sentenced to life in prison for the murder of a policeman, is given a second chance - as a secret political assassin controlled by the government.
Rod Taylor plays a policeman sent to return a sensitive case; An Australian citizen, currently acting as high commissioner for peace talks who is wanted for an old charge -- of murder. The talks are too sensitive to be disturbed, so Taylor ends up watching Christopher Plummer as he conducts his talks, and discovers that some want the talks to fail enough to think that killing Plummer is an obvious way to stop them.
In the near future, a virus has infected everyone on the planet, and Absolon is a drug that everyone must take to stay alive. One corporation controls the drug. Murchison is the leader of this firm. A scientist who was researching the virus is found murdered, and Norman Scott is the policeman who investigates the crime.
This unusual and worthwhile black-and-white film noir was one of the first movies to deal with issues of anti-Semitism.
1952 black and white Cold War spy film, entirely without dialog
Illicit lovers plot to kill the woman's older husband.
The Naked City portrays the police investigation that follows the murder of a young model. A veteran cop is placed in charge of the case and he sets about, with the help of other beat cops and detectives, finding the girl's killer.
James Cagney directs this remake of the film noir classic This Gun for Hire.
A policeman on patrolling duty is asked to investigate a doctor's house nearby, from where a woman's repeated screams have been heard. The doctor does not let him into the house, insisting that it was his wife screaming due to an injection being pushed and that everything is normal. The policeman's suspicions are not allayed, especially when the neighbors claim they have often heard the wife scream but never seen her. The next morning, the policeman finds the doctor in the police station filing a missing report of his wife. The quaint little misty hill town of Rimtik is shaken when the policemen starts to dig deep into the doctor's queer life.
It's tough beat for San Francisco police lieutenant Jake Martin (Walter Matthau) when he has to investigate a city bus massacre in which a madman opened machine gunfire on eight people.
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he's finally released for lack of evidence--after having been beaten up and tortured by the police--he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops.
Centring on the activities of a gang of assorted criminals and, in particular, their leader â a vicious young hoodlum known as "Pinkie" â the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.
Private Detective Philip Marlowe is hired by a rich family. Before the complex case is over, he's seen murder, blackmail, and what might be love.
Two carefree young travellers make the mistake of their lives when they pick up a mysterious, and slightly psychotic, hitch-hiker who never closes his right eye -- even when he sleeps!
Hit man, Raven, is double crossed by nightclub owner Willard Gates who acts as a middleman for a traitorous industrialist, the president of Nitro Chemical, Alvin Brewster. Travelling to Los Angeles to kill his his betrayers, Raven meets up with Ellen Graham a nightclub magician and singer who has just landed a job with Gates. Ellen's fiancée, policeman Lt. Michael Crane is on the trail of Raven.
Bart Tare is an ex-Army man who has a lifelong fixation with guns, he meets a kindred spirit in sharpshooter Annie Starr and goes to work at a carnival. After upsetting the carnival owner who lusts after Starr, they both get fired. Soon, on Starr's behest, they embark on a crime spree for cash. Subjects of a manhunt, they are tracked by police in the hills Tare enjoyed as a boy.
Ex con turned private investigator Bradford Galt (Mark Stevens) suspects someone is following him and maybe even trying to kill him. With the assistance of his spunky secretary, Lucille Ball, he dives deep into a mystery in search of answers.
A psychotic socialite confronts a pro tennis star with a theory on how two complete strangers can get away with murder...a theory that he plans to implement.
Eddie Miller struggles with his hatred of women, he's especially bothered by seeing women with their lovers. He starts a killing spree as a sniper by shooting women from far distances. In an attempt to get caught, he writes an anonymous letter to the police begging them to stop him.
A psychopathic criminal (Cagney) with a mother complex makes a daring break from prison and then leads his old gang in a chemical plant payroll heist. After the heist, events take a crazy turn.
Joe (George Raft) and Paul Fabrini (Humphrey Bogart) are Wildcat or, independent truck drivers who have their own small one truck business. The Fabrini boys constantly battle distributors, rivals and loan collectors, while trying to make a success of their transport company.
Orson Welles plays an escaped Nazi war criminal. After the war, he fled to the United States and assumed the name of Charles Rankin. Engaged to the unsuspecting daughter of a Chief Justice of the Supreme Court and posing as a college professor, he had the perfect cover. No one would think to look for a notorious Nazi war criminal in the sacred precincts of the Harper's School...
The Biddle brothers, shot while robbing a gas station, are taken to the prison ward of the County Hospital; Ray Biddle, a rabid racist, wants no treatment from black resident Dr. Luther Brooks. When brother John dies while Luther tries to save him, Ray is certain it's murder and becomes obsessed with vengeance. But there are black racists around too, and the situation slides rapidly toward violence.
Rocky Mulloy, back in town after serving 5 years of a life sentence for armed robbery, hopes to clear his friend Danny Morgan who's still in prison for the same crime. It won't be easy. Even the witness who cleared Rocky thinks he's guilty; Danny's glamorous wife Nancy, living in a sleazy trailer court, seems lukewarm about getting Danny back; cynical cop Gus Cobb just wants to stir things up in hopes that the missing "hot" $100,000 will surface. Plenty of tough talk, night scenes, deceptive dames and double crosses in this typical film noir.
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