Samson and Delilah (1949)
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Sean Connery attempted to make a clean break from his "James Bond" image in the boisterous comedy A Fine Madness. Connery plays Samson Shillitoe, a Brendan Behan-like poet with a mile-wide misogynistic streak. Try as he might to complete his latest masterpiece, Shillitoe is constantly interrupted by the women in his life. Driven to a nervous breakdown, he seeks help from the medical establishment -- and ends up a babbling shell of his former self. The film takes scattered potshots at a repressive society that forces the truly creative among us into near-madness; at times, it is sidesplittingly funny, though never quite as potent as the Elliot Baker novel upon which it is based. Sean Connery is brilliant, but the public wanted James Bond to behave himself, thus the film didn't do as well at the box office as it should have.
Maciste travels to Egypt, where he leads a revolt against an evil queen. In Son of Samson, Maciste (Mark Forrest) -- scion of the famed muscleman -- travels to the Egyptian city of Tanis to checkmate villainous Queen Smedes (Chelo Alonso), who's persecuting the citizenry.
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"The Passion of the Christ" is a film about the last 12 hours in the life of Jesus. Director Mel Gibson received much criticism from critics and audiences for his explicit depiction of and focus on violence and on christs suffering, especially on the part of the jewish community. The films languages are Arabic, Latin and Hebrew and its actors are laymen which was controversially received as well.
As the communist revolt progresses in Russia, a female commissar is dispatched to some anarchist sailors to get them on board the party bandwagon. Her arrival is met with skepticism and an attack by an aspiring rapist. She shoots the man in self defense and begins to form the sailors into a cohesive fighting unit. Joining the unit for a mission, the sailors are all murdered before they can convert to communism. The fallen angel is held up as a symbolic heroine to the people's cause in this decidedly propaganda-drenched film. The film took a specially created prize at the 1963 Cannes Film Festival, somewhat to the consternation of critics who failed to observe its merits.
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In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership. Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film's opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O'Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached  manner leads to one mistake after another.
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Passion, beauty, and brilliant storytelling are all on display in this six-hour-plus epic from Italian director Franco Zeffirelli. Robert Powell is superb in the title role, and with the overwhelming success of this TV movie throughout the world, has perhaps become what Jesus looks like in many people's minds. The story begins with the arrangements of the wedding between Joseph and Mary, and chronicles the nativity, the encounter with John the Baptist (a ferocious Michael York) and everything up to the crucifixion and resurrection.
Gory indonesian version of "Samson & Dalilah", starring Suzanna, the indonesian scream queen and directed by Sisworo Gautama Putra (the psycho who made Jaka Sembung, among others). In fact, this works like a rip off of Jaka Sembung but with Samson instead of Jaka. Gore and cheesyness for everybody!!!
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