Refrains Happen Like Revolutions in a Song (2010)
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By mistake, film director Ham Chunsu arrives in Suwon a day early. With time to kill before his lecture the next day, Chunsu stops by a restored, old palace and meets an artist named Yoon Heejung. Together, they go to Heejungâs workshop to look at her paintings, have Sushi with Soju for dinner, and get close. Later, they go to another café and have more drinks with Heejungâs acquaintances. When asked if he is married, Chunsu is forced to reveal the fact that he is, and Heejung gets deeply disappointed⦠In the second part of the film, a similar story of âmeeting and partingâ unfolds. Here, the womanâs voice seems intimidated and her body crouched. The man and the woman go about to the same places, but this time the man strips himself and what not.
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Misha (Stephen Papps), a once celebrated filmmaker who has fallen on hard times, resolves to leave his homeland in search of a film-friendly country where he can pursue his career. With his wife Nadia (Elena Stejko) in tow he sets sail from Russia in a tiny lifeboat, drifting cross the Pacific to finally arrive in New Zealand. Before long Misha realises that New Zealand is no more receptive to his ideas and aesthetic than Russia. Yet he perseveres with his experimental film, ignoring his wifeâs pleas to find work. Misha increasingly withdraws into himself, and his relationship with Nadia collapses. Alone, his obsessions take hold and he steadily descends into madness. Only a chance encounter with a young Polynesian woman saves him from the ultimate act of self-destruction. His friendship with Roseanna (Stephanie Tauevihi) inspires a re-awakening, as he begins to reconnect with the world around him.
Darrell is a well trained prison bitch looking forward to a night alone in his cell getting jacked on the drugs he's had smuggled in, when a riot erupts on the floors above. To separate the offenders, three of the inmates are placed in Darrell's cell. Always up for a laugh, Darrell teases, flirts and annoys his fellow cellies Seth & Lanks, until a new boy is placed with them and becomes prey to these wild animals. Nothing short of offensive and disgusting, these boys are savage and hell bent on abusing, insulting, and degrading each other throughout the night. 4 Boys, One Room, & Pure Hell in the Cell, this trashy British arthouse, throwback captures the reality of the 80s.
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Charlie Berns (William H. Macy) is a veteran Hollywood movie producer who has given up on his career and life. That is until his idealistic screenwriter nephew (Jason Ritter) comes bearing the script of a lifetime and Charlie decides to give his career one final shot. The only thing standing in his way is Diedre Hearn (Meg Ryan), a sharp-witted studio executive brought in to keep Charlie in line.
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A filmmaker (van den Driessche) holds a series of boundary-pushing auditions for his project about female pleasure.
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An eerie German silent film from 1920. This classic expressionistic film is known as a landmark in film history becoming famous worldwide from itâs exceptional new wave style of well built and painted grotesque scenery with contrasted lighting along with the painted effect of light and shadows. The film tells a surrealistic story with an unusual end that was the subject of controversy.
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An erotic poem set in the fantasies of a young male prostitute.
A few decades after the destruction of the Inca empire, a Spanish expedition leaves the mountains of Peru and goes down the Amazon river in search of gold and wealth. Soon, they come across great difficulties and Don Aguirres, a ruthless man who cares only about riches, becomes their leader. But will his quest lead them to "the golden city", or to certain destruction
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Allegedly based on a true incident reported on page 7 of a local newspaper, the film was a scathing satire on the corruption in the judicial system and the victimization of the underprivileged by the able and the powerful.
Shiva is a new student in the community college. He is welcomed by a group of collegians, including the lovely Asha, to whom Shiva is instantly attracted to. Shiva notices that there is violence within the college by people who are not even students. When he decides to find out their motives, he is met with violence, and threats. Now Shiva must decide to stand up for his college, or just carry on studying, finish college, and move on.
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Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.
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Tensions between members of a film crew build while they wait for the arrival of the director and star to arrive on location.
Esther, a self-conscious young woman who works for a public relations firm. One night at a party with her friend Sandrine, Esther wanders into the backyard and stumbles, scratching her leg on a piece of scrap metal. She goes back to the party, and later realizes that her injury is much more severe than she had thought. There's a huge, ugly gouge all the way up her shin, and she's bleeding profusely. She goes to a doctor, who patches her up and tells her she might need a skin graft. But Esther becomes obsessed with the wound. She won't let it heal, sneaking away during work to cut herself. As her leg becomes an ugly scarred mass, she begins to notice a problem with her arm. Before long, she's alienated Vincent and jeopardized her job with her compulsive, self-destructive behavior. But she continues on her grotesque downward spiral.
In an urban Indian city, A struggling actor battles for his career, but his friend who loses money in a scam deal commits an action that puts both of their lives in danger. The three last days before the incident follows the struggling actor, an ambitious filmmaker, a wannabe hustler, an opportunist, a lover and two cinephile thugs, through an inter-twining vignette of their lives.
After a series of bad relationships, a man orders a mail order bride and receives more than he bargained for.
A dreamed trip between village and city, between reality and fiction in a chaotic China.
About a man whoâs angry at his wife because sheâs met another man on a park bench and they no longer even speak the same language.
In present-day Moscow ghosts of three little girls killed by their insane mother randomly pick a person to watch over for a three days. If during this "probation period" person's moral standards appear not to be high enough The Daughters then kill him using telekinesis.
An examination of poverty and violence and the influence it has on two boys who live in a slum.
Called by some a visionary masterpiece, and by others a foolâs errand, this controversial film embodies Rayâs last explorations in the medium that he called âthe cathedral of the arts.â Along with its technical innovations unequaled even today, the film explores the face of a community at a critical moment in our cultural-political history and offers a searing portrait of the filmmakerâs soul.
Clandestine romance provides sad but pleasurable viewing in the high-quality Hong Kong meller âClaustrophobia.â Helming bow of Hong Kong scripting vet Ivy Ho (âComrades, Almost a Love Story,â âDivergenceâ) has a mastery that recalls Eric Rohmer and Woody Allen at their most sublime. Offering fine drama about and for adults, pic will make a prestige inclusion for fests. Commercial possibilities exist for industrious distribs willing to guide sophisticated auds away from the usual arthouse milieus. Hong Kong release has not been confirmed, but will likely be skeeded in early 2009, with other Chinese-language territories to quickly follow.
Delia, a young Romanian girl, comes to Bucharest with her parents to collect a prize she has won in a contest organized by a soft-drinks company. The prize is a beautiful new car. All Delia has to do now is appear in front of the camera in a commercial. All goes well until it becomes clear that Delia and her parents have very different ideas about what to do with the new car. Meanwhile, the contest's sponsor needs a radiant prize-winner with a gleaming smile. A wicked satire and a psychological portrait of a society perverted by its slavery to capitalism and consumerism
Chotushkone (Bengali: à¦à¦¤à§à¦·à§à¦à§à¦£; English: Quadrangle) is an Indian Bengali thriller film directed by Srijit Mukherji. "Four directors get together and plan to make a film, consisting of four short stories. They have an appointment with the producer on the outskirts of the city. While they are together, each comes up with a story which is unique in its own way, but connected to the other stories by a common theme - death. They spend a night in a nearby bungalow when their car breaks down. It is here that each of them revisits their past and are held at gunpoint by their 'nemesis'."
Delightfully comic exploration of the emotional and social geography of an art-house film director.
Petrel Hotel Blue is about friends Yoji, Yukio, and Kohei attempting a vehicular robbery. Yoji never shows, Kohei flakes at the scene, and Yukio takes the fall for the failed endeavor. Years later, Yukio is freed from prison and enacts a revenge plot against Yoji. From this point, one might anticipate an unsympathetic vengeance story consistent with the Asian arthouse of the past decade, but with Wakamatsu the intrigue is a pretense. Yukio traces Yoji to the isolated island hotel that he now manages with a sensuous and silent woman named Rika. From this desolate environ, literally a kind of primordial Nowhere replete with ominous black volcanic sand, reality quickly deteriorates. Tensions and rivalries rise, things are said, people are killed, dreams are inhabited, space and time crumble. The catalyst of this degeneration, and the cause for Yojiâs absence all those years ago is one and the same: Rika. And she has curves that will make you blush.
Oldrich "Fajolo" Fajták (Marián Bielik), a student who directs quasi-existentialist verbal abuse at his girlfriend Bela Blazejová (Jana Beláková), takes off to a formally volunteer summer work camp at a farm where he meets her grandfather.
Manifesto draws on the writings of Futurists, Dadaists, Fluxus artists, Suprematists, Situtationists, Dogma 95 and other artist groups, and the musings of individual artists, architects, dancers and filmmakers, editing and reassembling them as a collage of artistsâ manifestos, ultimately questioning the role of the artist in society today. Performing these ânew manifestosâ while inhabiting thirteen different personas â among them a school teacher, a puppeteer, a newsreader, a factory worker and a homeless man â Cate Blanchett imbues new dramatic life into these famous words in unexpected contexts. Rosefeldtâs work questions whether these passionate statements, composed by artists with utter conviction, have withstood the passage of time. Can they be applied universally? How have the dynamics between politics, art and life shifted? And what is the artistâs role in society today?
Eight drug addicts are waiting for their connection in a New York apartment belonging to Leach. Jim Dunn, a budding filmmaker, has agreed to pay for the fix if the addicts will allow him to film the connection scene. After the men get their shots, they talk Dunn into trying heroin in order to understand the subject "first hand." He becomes ill and while sleeping, Leach takes an overdose that puts him into a coma. Dunn recovers, with the aid of the connection, and writes off the film as a failure.
Andrés Bonifacio y de Castro is considered to be one of the most influential proponents in the struggle against Spanish colonial rule in the Philippines during the late nineteenth century. Today, he is still celebrated as the father of the Philippine Revolution.
A young woman's life flashes before her eyes as she succumbs to an asthma attack.
As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.
Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.
The second of Trier's films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.
A gang of teenage delinquents terrorize a small community by stealing cars and stripping them for parts, then selling the parts to a crooked junkyard owner. The police and an insurance company investigator set out to break up the gang.
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