The Connection (1962)
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Surviving family members and friends of a man who was conned by the cunning businessman Sabbarwahl, string together a series of their own cons in an attempt to bring him down.
A drag queen takes in a drug addict and her daughter and helps raise the daughter.
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Johanna, a young drug addict, falls into a deep coma after an accident. Doctors miraculously manage to save her from death's doorstep. Touched by grace, Johanna cures patients by offering her body. The head doctor is frustrated by her continued rejection of him and allies himself with the outraged hospital authorities. They wage war against her but the grateful patients join forces to protect her. This is a filmic and musical interpretation of the Passion of Joan of Arc.
José Sirgado, filmmaker in his thirties, has completed his second film and is deeply unsatisfied for various reasons. One may be that his relationship with the film has nothing to do with what he had imagined, another may be that the heroine of his film has left a deeper mark than expected, or his break with Ana, the protagonist of his first film. On returning home he finds Ana and the heroine of his latest film. Both of them are expecting him as if nothing had happened and José, deeply altered, soon falls into temptation.
Georgie Godwin is the fattest man in Britain. A tourist attraction, thanks to greedy 'agent, cabbie Morris. Devoted neighbour Janice is Georgie's only other regular outside contact until he meets Amy, a pregnant teenager fleeing a violent boyfriend ,whom he takes in as a lodger. Amy tries to help Georgie change his lifestyle, but Morris is more than keen to stop her ruining his tourist attraction.
This film focuses on an aging starlette (Silvia Perez) was once an it-girl. She returns to her hometown for her niece's birthday party and has to deal with her conservative family who does not agree with her chosen lifestyle.
A marvelous new film from Andrew Bujalski, one of the brightest stars in indie film, Beeswax revolves around the personal and professional entanglements of twin sisters Jeannie and Lauren â played by extraordinary newcomers Tilly and Maggie Hatcher â living in Austin, Texas. Jeannie co-owns a vintage clothing store with Amanda, a semi-estranged friend who she fears is trying to end their partnership. Lauren leads a looser, less tethered existence and is considering getting out of the country altogether. When Jeannie receives an email from Amanda threatening a lawsuit, she calls her law student ex-boyfriend Merrill for help. Eager for distraction from his own problems, he begins helping the sisters with theirs. Imbued with an innate charm, Beeswax is a story about families, friends, lovers and those awkward moments that bring all of them together.
When Albers takes his drug-addicted opera star sister Gerda to a sanitarium, they both become targets of slimy dope peddler Peter Lorre, who fears that Gerda will blow the whistle on him. Lorre kidnaps the woman, leading Albers on a frantic chase.
As we follow a mother and her son, we delve into a past marred by an accident that tears them apart. She will become a renowned artist and healer, and he will grow into his own and a peculiar falconer who bears the marks of a double absence. In the present, a young journalist will bring about an encounter between the two that puts the very meaning of life and art into question, so that we may contemplate the possibility of living life to its fullest, despite the uncertainties littering our paths.
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