Hands of a Mother (2016)
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PÃÅ¡e se 13. stoletÃ. Královstvà Äeskému a markrabstvà moravskému vládne PÅemysl Otakar II. Na zásnuby, které majà usmÃÅit znesváÅené rody pánů z Dubé a z Vartemberka, vysÃlá král svého zástupce v severnÃch Äechách, správce královského hradu BezdÄzu, OldÅicha z Chlumu (Karel Roden). Cestou na hrad najdou OldÅich a jeho pomocnÃci (Jan Dolanský, David Matásek) stopy po loupežné vraždÄ neznámého kupce. Na vartemberském panstvà se OldÅich setkává s Ludmilou (Klára Issová), dcerou Markvarta z Vartemberka, kterou zná od jejÃho dÄtstvÃ. Ludmila se mu svÄÅÃ, že se nechce vdát za BeneÅ¡e z Dubé (David PrachaÅ), pÅestože jejich svatba je podmÃnkou kÅehkého mÃru mezi obÄma rody. BÄhem slavnostnà hostiny, poÅádané na OldÅichovu poÄest, je zavraždÄn purkrabà (MiloÅ¡ Vávra). PodezÅenà padne na loutnistu (SaÅ¡a RaÅ¡ilov), jehož snoubenku se purkrabà pokusil zneužÃt.
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebelsâarmed only with their lyrics, swagger, bravado and raw talentâstood up to the authorities that meant to keep them down and formed the worldâs most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.
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In the 15th century, in a poor Italian village, the monks of a modest convent take up an abandoned baby. Unfortunately, for all their efforts, they prove unable to trace his parents. So they set up providing tender loving care to the little boy. Marcellino lives a happy life among the men of God but, as he grows up, he misses his mother more and more. To compensate for her absence, he tends to identify her with the Virgin Mary. One day, the local lord, in search of a child to raise, decides to adopt Marcellino and to bring him up in his castle. He dresses him in rich attire and gives him a strict education. But Marcellino feels miserable there and eventually runs away.Back in his dear convent, he gleefully resumes his former life. He still misses his mother but his life changes when he finds a crucifix in the attic. A wonderful friendship between Jesus and him is born.
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Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert's heroes.
Albert grew up on an isolated mountain farm in the middle of nowhere in the Alps. Although heâs already in his 30s, his omnipresent mother Marianne still pulls the strings in his life. Not intentionally and only because of his motherâs pressure, Albert went to live in the nearby valley to make his living in a marble quarry. Marianne wants to protect him from the poor and lonesome life on the mountain and is even willing to denounce their bonds to the tradition of the farm, that has existed over centuries. Like an abandoned animal that keeps coming back to its territory, the introverted farmers son keeps sneaking back to the mountain as often as possible. When his father dies accidently whilst repairing the roof, Marianne fears, that Albert will take over the role of his father and return to the farm. Instead, she decides to hide the death from Albert and the outside worldâand buries his corpse on the mountain.
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As a child, Donald was tormented by his mother who used fire as a punishment. Now a deranged adult, Donald stalks women at clubs, then takes them home where he kills them with a flamethrower.
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Craig T. Nelson stars as Steve Freeling, the main protagonist, who lives with his wife, Diane, and their three children, Dana, Robbie, and Carol Anne, in Southern California where he sells houses for the company that built the neighborhood. It starts with just a few odd occurrences, such as broken dishes and furniture moving around by itself. However, a tree comes alive and takes Robbie through his bedroom window, and Carol Anne is abducted by ghosts. Realizing that something evil haunts his home, Steve calls in a team of parapsychologists led by Dr. Lesh to investigate, hoping to get Carol Anne back, so he can remove his family from the house before it's too late.
¡Qué viva México! is a film project begun in 1930 by the Russian avant-garde director Sergei Eisenstein (1898-1948). It would have been an episodic portrayal of Mexican culture and politics from pre-Conquest civilization to the Mexican revolution. Production was beset by difficulties and was eventually abandoned. Jay Leyda and Zina Voynow call it his "greatest film plan and his greatest personal tragedy".
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