The Marker (2017)
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Sin City is a neo-noir crime thriller based on Frank Miller's graphic novel series of the same name.The film is primarily based on three of Miller's works: The Hard Goodbye, about a man who embarks on a brutal rampage in search of his one-time sweetheart's killer; The Big Fat Kill, which focuses on a street war between a group of prostitutes and a group of mercenaries; and That Yellow Bastard, which follows an aging police officer who protects a young woman from a grotesquely disfigured serial killer.
Centring on the activities of a gang of assorted criminals and, in particular, their leader â a vicious young hoodlum known as "Pinkie" â the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.
When his wife stops writing to him and his letters are returned unanswered, Dan becomes extremely concerned about her welfare. He returns home but is only able to meet with her briefly before she is found murdered. Dan is the obvious suspect but has only 36 hours to find out who murdered her. In so doing he uncovers a shocking catalogue of his wife's past affairs and an identity that he knew nothing about.
Stark, perverse story of murder, kidnapping, and police corruption in Mexican border town.
Trainees in the FBI's psychological profiling program must put their training into practice when they discover a killer in their midst.
A fearless cop is taking on a ruthless crimelord. He knew the risks. He just didn't know how far he would have to go.
A professional thief is sprung from prison with the assistance of a new partner who what's to know where he's hid his loot.
Paul Kersey is again a vigilante trying to find five punks who murdered his housekeeper and daughter in Los Angeles.
Rogue agent Gabriel Shear is determined to get his mitts on $9 billion stashed in a secret Drug Enforcement Administration account. He wants the cash to fight terrorism, but lacks the computer skills necessary to hack into the government mainframe. Enter Stanley Jobson, a n'er-do-well encryption expert who can log into anything.
From Wikipedia, the free encyclopedia. T-Men is a semidocumentary style 1947 film noir shot in black-and-white. The film was directed by Anthony Mann with cinematography by noted noir cameraman John Alton. The B-movie is featured in Visions Of Light: The Art Of Cinematography (1992) documentary for the drama's use of lighting. Description above from the Wikipedia article T-Men, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A psychotic socialite confronts a pro tennis star with a theory on how two complete strangers can get away with murder...a theory that he plans to implement.
A man pays a hitman to kill him. Circumstances change and he tries to call off the hit but he has trouble getting the deal killed.
Newly transferred to the bustling port city of Marseille to assist with a crackdown on organized crime, energetic young magistrate Pierre Michel is given a rapid-fire tutorial on the ins and outs of an out-of-control drug trade. Pierre's wildly ambitious mission is to take on the French Connection, a highly organized operation that controls the city's underground heroin economy and is overseen by the notorious âand reputedly untouchableâ Gaetan Zampa. Fearless, determined and willing to go the distance, Pierre plunges into an underworld world of insane danger and ruthless criminals.
Two Arkansas firemen, Vince and Don, get hold of a map that leads to a cache of stolen gold in an abandoned factory in East St. Louis. What they don't know is that the factory is in the turf of a local gang, who come by to execute one of their enemies. Vince sees the shooting, the gang spots Vince, and extended mayhem ensues. As Vince and Don try to escape, gang leader King James argues with his subordinate Savon about how to get rid of the trespassers.
A driven young man (Gyllenhaal) stumbles upon the underground world of L.A. freelance crime journalism. When Lou Bloom, desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.
A mysterious barber hides a secret identity that eventually leads to tragedy.
A tough cop is dispatched to take down a serial killer who has been targeting police officers.
Based on Jay Dratler's novel The Pitfall, André de Toth's gripping film is a classic L.A. noir in the tradition of Detour, and shows the spiraling, epic consequences resulting from one fateful decision.
In this suspenseful crime thriller, Mr. Wu, a Hong Kong movie star, is kidnapped by six unpredictable criminals disguised as police officers. The story is based on the 2004 real-life celebrity kidnapping case in China.
Newspaper reporter John McGuire plunges into a nightmare of guilt, fearing that his "evidence" has sentenced the wrong man to death. A stunning example of cinematic expressionism, cited by many as the first studio film shot in a completely noir style. Peter Lorre virtually reprises the eerily convincing persona he created in Fritz Lang's M, adding an emotion-wringing melancholia to his performance as a paranoid, lost soul. Featuring the astounding art direction of Van Nest Polglase and the brilliant cinematography of Nicholas Musuraca, as well as reportedly uncredited script work by Nathanael West (The Day of the Locust)!
Two FBI agents investigating the murder of civil rights workers during the 60s seek to breach the conspiracy of silence in a small Southern town where segregation divides black and white. The younger agent trained in FBI school runs up against the small town ways of his former Sheriff partner.
To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise in Martin Scorsese's multiple Oscar-winning crime thriller. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.
This unusual and worthwhile black-and-white film noir was one of the first movies to deal with issues of anti-Semitism.
Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry who, framed for murder, escapes San Quentin and soon emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is."
A film noir drama in which a sophisticated con man, who has just stolen from the mob, is forced to impersonate a psychiatrist who looks just like him, going so far as to cut himself on the cheek to duplicate a similar scar on the doctor. When he takes matters even further, karma arrives, forcing him to pay the debts of his double.
A gangster, Nino, is in the Cash Money Brothers, making a million dollars every week selling crack. A cop, Scotty, discovers that the only way to infiltrate the gang is to become a dealer himself.
After her cheating husband leaves her, Mildred Pierce proves she can become independent and successful, but can't win the approval of her spoiled daughter.
A rich and successful lawyer named Counselor is about to get married to his fiancée but soon meets up with the middle-man known as Westray who tells him his drug trafficking plan has taken a horrible twist and now he must protect himself and his soon bride-to-be lover as the truth of the drug business uncovers and targets become chosen.
Brooklyn mobster and prolific hit man Jimmy Conlon, once known as The Gravedigger, has seen better days. Longtime best friend of a mob boss, Jimmy, now 55, is haunted by the sins of his pastâas well as a dogged police detective whoâs been one step behind Jimmy for 30 years. But when Jimmyâs estranged son becomes a target, Jimmy must make a choice between the crime family he chose and the real family he abandoned long ago. Now, with nowhere safe to turn, Jimmy has just one night to figure out exactly where his loyalties lie and to see if he can finally make things right.
Hondo Harrelson recruits Jim Street to join an elite unit of the Los Angeles Police Department. Together they seek out more members, including tough Deke Kay and single mom Chris Sanchez. The team's first big assignment is to escort crime boss Alex Montel to prison. It seems routine, but when Montel offers a huge reward to anyone who can break him free, criminals of various stripes step up for the prize.
Harry Donovan is an art forger who paints fake Rembrandt picture for $500,000. The girl he meets and gets into bed with in Paris, Marieke, turns out to be an arts expert Harry's clients are using to check the counterfeit picture he painted.
An efficient gang enters a Manhattan bank, locks the doors, and takes hostages. They work deliberately, without haste. Detective Frazier is assigned to negotiate, but his mind is occupied with the corruption charges he is facing. With an army of police surrounding the bank, the thief, the cop, and the plutocrat's fixer enter high-stakes negotiations. Why are the robbers asking for a plane, if they are so competent and they know they won't get one? Why aren't they in more of a hurry?
The true story of Richard Kuklinski, the notorious contract killer and family man.
In a broken city rife with injustice, ex-cop Billy Taggart (Mark Wahlberg) seeks redemption and revenge after being double-crossed and then framed by its most powerful figure, the mayor (Russell Crowe). Billy's relentless pursuit of justice, matched only by his streetwise toughness, makes him an unstoppable force - and the mayor's worst nightmare.
In Mexico, a financier on the run poses as a man he just murdered, only to find out that the man was also a murderer.
The Driver specializes in driving getaway cars for robberies. His exceptional talent has prevented him from being caught yet. After another successful flight from the police a self-assured detective makes it his primary goal to catch the Driver. He promises pardons to a gang if they help to convict him in a set-up robbery. The Driver seeks help from The Player to mislead the detective.
When the Russian mob kidnaps the daughter of a reformed criminal, he rounds up his old crew and seeks his own brand of justice.
Ray, an ex-cop, is starting a new life looking to stay out of trouble. One evening, on Ray's watch, the nightclub he works for is robbed and the owner's son is shot dead. As his criminal past is exposed Ray hunts for the person responsible for this crime in an effort to clear his own name. Ray must get to the bottom of this as both the mob and cops start to close in on him as their target suspect.
FBI Agent Will Graham, who retired after catching Hannibal Lecktor, returns to duty to engage in a risky cat-and-mouse game with Lecktor to capture a new killer. This film is based on the novel "Red Dragon" and predates all the later films with Anthony Hopkins as Hannibal Lecter.
An arrogant, high-powered attorney takes on the case of a poor altar boy found running away from the scene of the grisly murder of the bishop who has taken him in. The case gets a lot more complex when the accused reveals that there may or may not have been a 3rd person in the room. The intensity builds when a surprise twist alters everyone's perception of the crime and what happens next...
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he's finally released for lack of evidence--after having been beaten up and tortured by the police--he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops.
Hotshot gambler Jake Green (Jason Statham) is long on bravado and seriously short of common sense. Rarely is he allowed in any casino because he's a bona fide winner and, in fact, has taken so much money over the years that he's the sole client of his accountant elder brother, Billy. Invited to a private game, Jake is in fear of losing his life.
A dramatization of the Great Train Robbery. While not a 'how to', it is very detail dependent, showing the care and planning that took place to pull it off.
A young female FBI agent joins a secret CIA operation to take down a Mexican cartel boss, a job that ends up pushing her ethical and moral values to the limit.
When a Las Vegas bodyguard with lethal skills and a gambling problem gets in trouble with the mob, he has one last play⦠and it's all or nothing.
Tough NYC police detective Dixon misses out on a promotion because of his record of roughing up suspects. When accidentally kills a suspect in a murder case he plants clues to absolve himself. But when the father of a woman he recently fell in love is accused of the crime his plan looks like back firing.
Jimmy Kilmartin is an ex-con living in Astoria in the New York City borough of Queens, trying to stay clean and raising a family with his wife Bev. But when his cousin Ronnie causes him to take a fall for driving an illegal transport of stolen cars, a police officer named Calvin Hart is injured and Jimmy lands back in prison. In exchange for an early release, he is asked to help bring down a local crime boss named Little Junior Brown. Jimmy remarries and attempts to renew a relationship with his child. But he is sent undercover by Detective Hart to work with Junior and infiltrate his operations. As soon as Little Junior kills an undercover federal agent with Jimmy watching, the unscrupulous district attorney and the feds further complicate his life. He must take down Junior or face the consequences.
A young executive hunts down his fatherâs killer. Continuing his legendary collaboration with actor Toshiro Mifune, Kurosawa combines elements of Hamlet and American film noir to chilling effect in exposing the corrupt boardrooms of postwar corporate Japan.
Between 11:50 and 12:00 noon, a crime is commited. In the same ten minute period, we follow the lives of the ten people, all connected to this crime. As we see each person's point of view, we are propelled closer and closer to the truth of what exactly happened...and why.
Three detectives become embroiled in a tense struggle after a tragic accident that leaves a child in critical condition. One is guilty of a crime, one will try to cover it up, and the other attempts to expose it. How far will these men go to disguise and unravel the truth?
A former child art prodigy and second generation petty thief arranges to buy his way out of prison to spend time with his ailing son, only to be forced to alter his plans and commit one more job for the man who financed his release.
Dutch painter Jan-Van Rooyer hurries to keep a rendezvous with Jacquleine Cousteau, an elegant, sophisticated Frenchwoman, slightly his elder, whose relationship with him had turned from art student into one of love trysts. He arrives and is confronted by Detective Police Inspector Morgan who accuses him of having murdered Jacqueline. Morgan listens sceptically to the dazed denials of Van-Rooyen as he tells the story of his relationship with the murdered woman. Morgan, after hearing the story, realizes that the mystery has deepened and it becomes more complicated when the Assistant Commissioner, Sir Brian Lewis, explains that Jacqueline was not married but was being kept by Sir Howard Fenton, a high-ranking diplomat whose names must be kept out of the case
A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors -- veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie -- unravel.
An attorney is terrorized by the criminal he put away years ago when he was a cop.
Two crooks looking out for a drug lord's love interest scramble to find a look-alike after she dies unexpectedly.
Based on the real-life Richard Speck murders, amoral, nearly psychotic killer Warren Stacey (Gene Davis) is a serial killer who has murdered a number of women; he stabs them while they are naked to minimize leaving any physical evidence. Police detective Leo Kessler (Charles Bronson) is convinced of Staceyâs guilt and, over the objections of his partner, plants evidence to get him behind bars. When Stacey is released on a technicality, he threatens to go after Kessler and his family, leaving Kessler to defend himself against a killer with little help from the police.
Private eye Jake Gittes lives off the murky moral climate of sunbaked, pre-World War II Southern California. Hired by a beautiful socialite to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together.
A crew of officers at an armored transport security firm risk their lives when they embark on the ultimate heist against their own company. Armed with a seemingly fool-proof plan, the men plan on making off with a fortune with harm to none. But when an unexpected witness interferes, the plan quickly unravels and all bets are off.
This is the story of Buford Pusser's final days; not only of his life, but also as Sheriff. It seems that times are changing, and the once adoring people of Pusser's town now fear him and feel like it's time to make a change. There are also some officials who feel the same way and are using every means to get rid of Pusser.
A pair of NYC cops in the Narcotics Bureau stumble onto a drug smuggling job with a French connection.
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