Every Everything: The Music, Life & Times of Grant Hart ()
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A rockumentary profile of a true music original. Offstage he was withdrawn, almost shy. Onstage he strapped on his kiss-the-sky Stratocaster and shattered all notions of how a guitar could be played. In this thribute authorized by his estate, Jimi Hendrix comes to vivid life in funny and touching recollections by family, friends and other legends of rock like Eric Clapton, Mick Jagger ...
"Talking Guitars" is an intimate portrait of master guitar craftsman, Flip Scipio. The behind-the-scenes music-documentary illustrates the fascinating juxtaposition of the quiet artist and the world of musicians who seek his expertise. His clients include Jackson Browne, David Lindley, Ben Taylor, Paul Simon, David Tronzo, Leni Stern and Carly Simon. It is claimed that Flip "can make the worst piece of sh*t sing". For himself "Music is like Esperanto"; a universal language.
Great Tenor Performances outbids the famous Three Tenors by putting a dozen tenors (including the big three--Jose Carreras, Placido Domingo, and Luciano Pavarotti) in one compilation. One or two numbers fall short of greatness, but within the limits of what was available to them, the producers live up to the ambitious title. Domingo is particularly well represented with three arias, and Carreras has two. Only one Pavarotti performance is shown, but it's a good one: a youthful Celeste Aida from San Francisco. But the real meat is in the work of the other nine tenors. The muscular Samson of Jon Vickers contrasts with the bel canto delicacy of Mark Ainsley and Max-Rene Cosotti. Vladimir Atlantov as Otello, Giacomo Aragall as Cavaradossi, and Neil Shicoff as Rodolfo in La Bohème show that Domingo is not the sole proprietor of these roles. A pleasing rarity is Roberto Alagna in two excerpts from Verdi's original version of Don Carlos, with a French text.
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
This film is released as part of the ongoing 50th anniversary celebration of the Rolling Stones. It tells the story of the Stones' unparalleled journey from blues obsessed teens in the early 60s to their undisputed status as rock royalty. All of the Stones have been newly interviewed and their words form the narrative arc that links together archive footage of performances, news coverage, and interviews, much of it previously unseen. Taking its title from a lyric in "Jumpin' Jack Flash," this film gives the viewer an intimate insight into exactly what it's like to be part of the Rolling Stones as they overcome denunciation, drugs, dissensions, and death to become the definitive survivors. Over a year in the making and produced with the full cooperation and involvement of the Stones, this film is and will remain the definitive story of the world's greatest rock 'n' roll band
The Concert in Central Park is a live album by Simon & Garfunkel. On September 19, 1981 the folk-rock duo reunited for a free concert on the Great Lawn of New York's Central Park attended by more than 500,000 people. They released a live album from the concert the following March (Warner Brothers LP 2BSK 3654; CD 3654). It was arranged by Paul Simon and Dave Grusin, and produced by Paul Simon, Art Garfunkel, Phil Ramone and Roy Halee. The concert was also shot on videotape, televised by HBO in 1982, and subsequently released on various home video formats. The VHS and DVD contain two songs that were omitted from the live album: "The Late Great Johnny Ace" and "Late in the Evening (Reprise)". "Johnny Ace" was disrupted by a fan rushing the stage who came very close to attacking Paul. This incident was both frightening and coincidental, as the song is an elegy upon the murder of John Lennon just one year earlier.
This flick interviews up and coming glam bands who made their home in the L.A. scene. Also interviewed are some of the genre's idols including Kiss, Aerosmith, Alice Cooper, Poison, Megadeth, Lemmy from Motorhead and of course, Ozzy. Also, spotlighted performances from bands such as Faster Pussycat, Odin, London (Nikki Sixx's old band), Seduce and Megadeth. The movie's range of topics include groupies, alcoholism, drugs, the glam image and why it attracted so many people from many walks of life. The movie's funniest (and saddest) segment includes filmmaker Penelope Spheeris's attempt to interview a W.A.S.P. guitarist in his pool, drunk as a skunk and with his MOM sitting right there!
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Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early '70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasnât until recently â when a dusty 1974 demo tape made its way out of Bobbyâs attic nearly 30 years after Deathâs heyday â that anyone outside a small group of punk enthusiasts had even heard of them.
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Robert Durst, scion of one of New Yorkâs billionaire real estate families, has been accused of three murders but never convicted. Brilliant, reclusive, and the subject of relentless media scrutiny, heâs never spoken publiclyâuntil now. During interviews with Andrew Jarecki, he reveals secrets of the case that baffled authorities for 30 years. In 2010, Jarecki made the narrative film All Good Things based on the infamous story of Robert Durst. After Durst saw the film, he contacted Jarecki wanting to tell his story. What began as a feature documentary ultimately became a six-part series as more and more of his incredible story was revealed.
Bob Marley's universal appeal, impact on music history and role as a social and political prophet is both unique and unparalleled. Directed by Academy Award-winning director Kevin Macdonald (The Last King of Scotland), MARLEY is the definitive life story of the musician, revolutionary, and legend, from his early days to his rise to international superstardom. Made with the support of the Marley family, the film features rare footage, incredible performances and revelatory interviews with the people that knew him best.
The suspenseful chronicle of how the prodigious Polish violinist Bronislaw Huberman helped save Europeâs premiere Jewish musicians from obliteration by the Nazis during World War II. In three years, he transformed from a world renowned violinist to a humanitarian racing against time.
Using the reflections and analysis of many renowned intellectuals, this documentary draws a portrait of neoliberal ideology and examines the various mechanisms used to impose its dictates throughout the world.
The world's most renowned surfing cinematographer, Jack McCoy, spends two years following two of the world's greatest surfers: Andy Irons, a highly competetive and driven surfer, set on beating Kelly Slater and winning the world title, and Dave "Rasta" Rastovich, a free surfer who is more about the soul of surfing. The result: Blue Horizon, a documentary made to bring surf movies back to the big screen, where "they truly belong
In his directorial debut Mad Chad Taylor, the renowned Venice Beach chainsaw Juggler, has created a one of a kind documentary that goes deep inside the hidden world of street performers. Amid rare footage of the most shocking and inspired street acts from around the world, one performer after another pulls back the makeshift curtain. Their acts are astonishing; their stories, more amazing still. Here is the tightrope walker, the razor blade muncher, the sidewalk samurai, the tattooed man. Meet The Fireman who lost his teeth to his fire-eating act, and the Calypso Tumbler who's buying up real estate in the Caribbean. This is the human condition at its most freakishly wonderful.
In 2001 Jack Cardiff (1914-2009) became the first director of photography in the history of the Academy Awards to win an Honorary Oscar. But the first time he clasped the famous statuette in his hand was a half-century earlier when his Technicolor camerawork was awarded for Powell and Pressburger's Black Narcissus. Beyond John Huston's The African Queen and King Vidor's War and Peace, the films of the British-Hungarian creative duo (The Red Shoes and A Matter of Life and Death too) guaranteed immortality for the renowned cameraman whose career spanned seventy years.
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A documentary filmmaker goes on a 52-day journey to find evidence supporting the effectiveness of the Gerson Therapy -- a long-suppressed natural cancer cure. His travels take him from Alaska to Mexico with stops in San Diego, New York, Japan, Holland and Spain. In the end, he presents the testimonies of patients, scientists, surgeons and nutritionists who testify to the therapy s efficacy in curing cancer and other degenerative diseases, and presents the hard scientific proof to back up their claims. Testimonies include: a Japanese medical school professor who cured himself of liver cancer over 15 years ago, a lymphoma patient who was diagnosed as terminal over 50 years ago as well as from noted critics of this world-renowned healing method who dismiss it out of hand as pure quackery. So the question that remains is, Why is this powerful curative therapy still suppressed, more than 75 years after it was clearly proven to cure degenerative diseases?
The world couldn't keep its eyes off two athletes at the 1994 Winter Games in Lillehammer - Nancy Kerrigan, the elegant brunette from the Northeast, and Tonya Harding, the feisty blonde engulfed in scandal. Just weeks before the Olympics on Jan. 6, 1994 at the U.S. Figure Skating Championships, Kerrigan was stunningly clubbed on the right knee by an unknown assailant and left wailing, "Why, why, why?" As the bizarre "why" mystery unraveled, it was revealed that Harding's ex-husband, Jeff Gillooly, had plotted the attack with his misfit friends to literally eliminate Kerrigan from the competition. Now two decades later, "The Price of Gold" takes a fresh look through Harding's turbulent career and life at the spectacle that elevated the popularity of professional figure skating and has Harding still facing questions over what she knew and when she knew it.
Pug, a wisecracking 13 year old living on a dangerous Westside block, has one goal in mind: to join The Twelve O'Clock Boys; the notorious urban dirt-bike gang of Baltimore. Converging from all parts of the inner city, they invade the streets and clash with police, who are forbidden to chase the bikes for fear of endangering the public. When Pug's older brother dies suddenly, he looks to the pack for mentorship, spurred by their dangerous lifestyle. Pug's story is coupled with unprecedented, action-packed coverage of the riders in their element. The film presents the pivotal years of change in a boy's life growing up in one of the most dangerous and economically depressed cities in the US.
Meet the dirtiest cop in NYC history. Michael Dowd stole money and dealt drugs while patrolling the streets of '80s Brooklyn.
Filmmaker Kimberly Reed returns home for her high school reunion, ready to reintroduce herself to the small town as a transgender woman and hoping for reconciliation with her long estranged adopted brother Marc. Things are complicated by the shocking revelation that Marc may be the grandson of Orson Wells and Rita Hayworth, forcing Kim and her family to explore questions of sexual orientation, identity, severe trauma and love.
The Jews of Poland (invaded by Germany in 1939) are depicted as filthy, evil, corrupt, and intent on world domination. Street scenes are shown prejudicially, along with clips from Jewish cinema of the day and photos of Jewish celebrities, while the narrator "explains" the Jewish problem. The climax and resolution of the film is Hitler's 1939 announcement that the Jewish race will meet its "annihilation" (Vernichtung).
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Vampir-Cuadecuc is a 1970 experimental feature film by Catalan filmmaker Pere Portabella. The entire film is photographed on high contrast black & white film stock, which gives it the appearance of a degraded film print, evoking early Expressionist horror films such as F. W. Murnau's Nosferatu or Carl Theodor Dreyer's Vampyr. It was shot on the set of Jesus Franco's Count Dracula, starring Christopher Lee and Herbert Lom. The sound track is by frequent Portabella collaborator Carles Santos, and the only spoken dialogue in the film appears only in the last scene, which features Lee reading from Bram Stoker's original novel.
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The complete story of Lincoln's Gettysburg Address.
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Two students from the Czech Film Academy commission a leading advertising agency to organize a huge campaign for the opening of a new supermarket named Czech Dream. The supermarket however does not exist and is not meant to. The advertising campaign includes radio and television ads, posters, flyers with photos of fake Czech Dream products, a promotional song, an internet site, and ads in newspapers and magazines. Will people believe in it and show up for the grand opening?
Warren Ellis: Captured Ghosts is a feature-length documentary that takes an in depth look at the life, career and mind of the British comic book writer Warren Ellis. The film combines extensive interviews with Ellis with insights from his colleagues and friends, as well as ambient visual re-creations of his prose and comics work.
Artist and life-long nerd Johannes Grenzfurthner is taking us on a personal road trip from the West Coast to the East Coast of the USA, to introduce us to places and people that shaped and inspired his art and politics. Traceroute wants to chase and question the ghosts of nerddom's past, present and future. An exhilarating tour de farce into the guts of trauma, obsession and cognitive capitalism. Features interviews with Matt Winston, Sandy Stone, Bruce Sterling, Jason Scott, Christina Agapakis, Trevor Paglen, Ryan Finnigan, Kit Stubbs, V. Vale, Sean Bonner, Allison Cameron, Josh Ellingson, Maggie Mayhem, Paolo Pedercini, Steve Tolin, Dan Wilcox, Jon Lebkowsky, Jan "Varka" Mulders, Adam Flynn, Abie Hadjitarkhani, Kelly Poots...
In the film, we see subjects instructed to administer electric shocks of increasing severity to another person, and observe both obedient and defiant reactions. After the experiment, we witness subjects explain firsthand their actions. Obedience is as relevant today as it was at its publication. As we as a society witness suicide bombings, torture, and gang atrocities, we wonder just how far people will go. Fifty years later, this experiment still resonates as people ask themselves, âWould I pull that lethal switch?â This is the only authentic film footage of Milgramâs famous experiment and is essential to all foundational work in social psychology at the graduate, undergraduate, and high school level.
The End of Poverty? asks if the true causes of poverty today stem from a deliberate orchestration since colonial times which has evolved into our modern system whereby wealthy nations exploit the poor. People living and fighting against poverty answer condemning colonialism and its consequences; land grab, exploitation of natural resources, debt, free markets, demand for corporate profits and the evolution of an economic system in in which 25% of the world's population consumes 85% of its wealth. Featuring Nobel Prize winner Amartya Sen and Joseph Stiglitz, authors/activist Susan George, Eric Toussaint, Bolivian Vice President Alvaro Garcia Linera and more.
AMERICAN MOVIE is the story of filmmaker Mark Borchardt, his mission, and his dream. Spanning over two years of intense struggle with his film, his family, financial decline, and spiritual crisis, AMERICAN MOVIE is a portrayal of ambition, obsession, excess, and one man's quest for the American Dream.
From the acclaimed team that brought you BBC's visual feast "Planet Earth," this feature length film incorporates some of the same footage from the series with all new scenes following three remarkable, yet sadly endangered, families of animal across the globe.
Zeitgeist: Moving Forward, by director Peter Joseph, is a feature length documentary work which will present a case for a needed transition out of the current socioeconomic monetary paradigm which governs the entire world society. This subject matter will transcend the issues of cultural relativism and traditional ideology and move to relate the core, empirical "life ground" attributes of human and social survival, extrapolating those immutable natural laws into a new sustainable social paradigm called a "Resource-Based Economy".
In this crazy, chaotic gospel of chance, aspiring filmmakers Chris Stamp and Kit Lambert set out to search for a subject for their underground movie, leading them to discover, mentor, and manage the iconic band known as The Who and create rock 'n' roll history.
China's greatest living filmmaker Jia Zhangke (Platform, The World) travels with acclaimed painter Liu Xiaodong from China to Thailand as they as they meet everyday workers in the throes of social turmoil. Liu Xiaodong is well-known for his monumental canvases, particularly those inspired by China's Three Gorges Dam project. In DONG, Jia Zhangke visits Liu on the banks of Fengjie, a city about to be swallowed up by the Yangtze River. The area is in the process of being "de-constructed" by armies of shirtless male workers who form the subject of Liu's paintings. Liu and Jia next travel to Bangkok, where Liu paints Thai sex workers languishing in brothels. The two sets of paintings are united in their subjects' shared sense of malaise in the face of the dehumanizing labor afforded them.
Filmmaker Adam Scorgie explores the illegal marijuana industry in British Columbia, revealing how the international business is most likely more profitable than it would be if it was lawful in this enlightening documentary. Marijuana growers, law enforcement officials, physicians, politicians, criminologists, economists and celebritiesâincluding comedian Tommy Chongâshed light on this topical subject in a series of compelling interviews.
Among the most important films from the post-war American independent scene are Lionel Rogosinâs On the Bowery and Come Back, Africa â two incredible documents of bygone eras that still resonate today. From the beginning, Rogosinâs style as an independent filmmaker was straightforward and compassionate. His films, made âfrom the insideâ showed the subjects he chose in their normal surroundings and allowed them to speak in their own words. By choosing ordinary people caught up in universal problems â homelessness, racial discrimination, war and peace, labor relations, and poverty â Rogosin made his point poignantly. The Oscar®-nominated On the Bowery is a masterpiece of the American blend of documentary/fiction.
The modern criminal justice system is hindered by the fact that countless rape kits remain untested in police evidence storage facilities across the United States. Only eight states currently have laws requiring mandatory testing of rape kits.
The Captains is a feature length documentary film written and directed by William Shatner. The film follows Shatner as he interviews the other actors whom have portrayed Starship captains within the illustrious science-fiction franchise.
With exclusive access to his extraordinary unseen and unheard personal archive including hundreds of hours of audio recorded over the course of his life, this is the definitive Marlon Brando cinema documentary. Charting his exceptional career as an actor and his extraordinary life away from the stage and screen with Brando himself as your guide, the film will fully explore the complexities of the man by telling the story uniquely from Marlon's perspective, entirely in his own voice. No talking heads, no interviewees, just Brando on Brando and life.
Steve McQueen: The Man & Le Mans interweaves stunning newly discovered footage and voice recordings with original interviews. It is the true story of how a cinema legend would risk almost everything in pursuit of his dream.
A reporter interviews fighters and promoters about Bruce Lee, intercut with footage from old Bruce Lee films and pseudo-documentary footage.
This film recounts the history and attitudes of the opposing sides of the Vietnam War using archival news footage as well as their own film and interviews. A key theme is how attitudes of American racism and self-righteousness militarism helped create and prolong this bloody conflict. The film also endeaveors to give voice to the Vietnamese people themselves as to how the war has affected them and their reasons why they fight the United States and other western powers while showing the basic humanity of the people that US propaganda tried to dismiss.
Indie Game: The Movie is a feature documentary about video games, their creators and the craft. The film follows the dramatic journeys of video game developers as they create and release their games to the world. The film tells the emotional story of friends Edmund McMillen & Tommy Refenes, as they craft their first Xbox game: "Super Meat Boy". It follows Phil Fish, the creator of the highly-anticipated game: "FEZ". After 4 years of working in near solitude, Phil reveals his opus to the public for the first time. And, the film tells the surprising story of one of the highest-rated video games of all time:"Braid". The film is about making video games, but at its core, it's about the creative process, and exposing yourself through your work. In short: Making fun and games is anything but fun and games.
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