Dreaming About Tulum: A Tribute to Federico Fellini ()
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Documentary about the film maker Luis Bunuel. Surrealist master Luis Bunuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre. This documentary, directed Jose Luis Lopez Linares, tries to illuminate some of these contradictions.
Tanya is a female model who lives with her boyfriend Lobo, a surrealist painter who is extremely violent. Subjected to Lobo's constant abuse, Tanya dreams of escaping to a desert island, which comes true. The only other being on her island is an enormous blue-eyed man-ape who was born from one of Lobo's paintings.
Giovanna d'Arco al rogo (English: Joan of Arc at the Stake) is a 1954 Italian film directed by Roberto Rossellini and starring his wife Ingrid Bergman, which shows a live performance on December 1953 at the San Carlo Theatre in Naples. The film takes place mostly in a surrealistic fantasy around the time of the execution of Joan of Arc. Joan of Arc, played by Ingrid Bergman, is being burned alive for heresy. In a kind of dream state, she departs from her body and begins to look back upon her life. She begins this journey in a depressed and demoralized state. However, a priest appears to help guide her. First, he shows her those that accused her in the guise of animal characters, in order to show her their true nature. Then, he shows her the good that she has performed for people. In the end, she is proud of what she has done and is ready to face the flames.
In Slovakia, the sixteen year-old Terezka is discharged from her school with a letter to her mother. Along her surrealistic journey to find her mother, Terezka entwines reality and fantasy and meets a man that is hired to burn clothes; a woman buried on the ground; a young bride that is marrying the forty and something year-old widow of his brother to support her family as a tradition in their village; her younger brother that is intern in a special school; a decadent TV comedian and his wife; a powerful mobster in the kitchen of a restaurant; one lover of her mother in her former address; and finally her promiscuous mother that advises her to travel through the world.
This sprawling, surrealist musical serves as an allegory for the pitfalls of capitalism, as it follows the adventures of a young coffee salesman in Europe. Many actors play multiple roles, giving the film a stagy tone.
Fando and his partially paralyzed lover Lis search for the mythical city of Tar. Based on Jodorowsky's memories of a play by surrealist Fernando Arrabal.
A Harvard anthropologist is sent to Haiti to retrieve a strange powder that is said to have the power to bring human beings back from the dead. In his quest to find the miracle drug, the cynical scientist enters the rarely seen netherworld of walking zombies, blood rites and ancient curses. Based on the true life experiences of Wade Davis and filmed on location in Haiti, it's a frightening excursion into black magic and the supernatural.
A story about the power of belief, The Devout follows Darryl Eckford during trying times: his 4-year-old daughter, Abigail, has terminal cancer with weeks to live. Abigail is obsessed with space, and she talks with extraordinary detail of the Apollo 1 space mission. After she admits her former name, Darryl researches the space mission and finds inexplicable coincidences. A devout Christian, Darryl faces a crisis of faith when he begins to believe that his daughter was an astronaut in a former life. This newfound belief instills hope in Darryl, because, if his daughter has lived before, she will live again. He must face his wife, community and his own faith as he seeks out truth, because, if his daughter has lived before, she will live again. Its intriguing story and meticulous direction from Connor Gaston makes The Devout one of the most impressive Canadian independent films of the year.
A period drama set in the early years of the 20th century. Josef, a former construction worker who delighted in dancing on girders high above the city, who now sweeps up at the circus. Once the big top's owner spots the young roustabout defying gravity on the trapeze, however, he endeavors to pair Josef with his aerialist daughter Alice in a perilous sky-high pas de deux. Offers a romantic view of big top life, with a moth-eaten angel in his feathered, tattered costume.
The sins of the past are not forgotten in this chilling suspense thriller. When the first body was discovered, it seemed a coincidence. But now homicide detective Jack Verdon has cause to worry: the victims of a series of brutal sex murders are all his former girlfriends. Suspected by the FBI agent whoâs taken over the case and suspended by his captain, Jack must work outside the law if heâs to find the killer, save his future and protect whatâs left of his past.
Federico Fellini welcomes us into his world of film making with a mockumentary about his life in film, as a Japanese film crew follows him around.
Fellini exposes his great attraction for the clowns and the world of the circus first recalling a childhood experience when the circus arrives nearby his home. Then he joins his crew and travel from Italy to Paris chasing the last greatest European clowns still live in these countries. He also meets Anita Ekberg trying to buy a panther in a circus.
Film is loosely based on Petronius's work, Satyricon, a series of bawdy and satirical episodes written during the reign of the emperor Nero and set in imperial Rome. Fellini's project saw competition from another film titled Satyricon, released the same year. Producer Alfredo Bini had registered the Satyricon title in 1962. When Fellini and his producer Alberto Grimaldi started work on their film, Bini contracted Gian Luigi Polidoro to direct his own version. Grimaldi sued Bini to halt the competing film, but lost; as a result, Fellini's picture was titled "Fellini - Satyricon" to distinguish it. (From Wikipedia, the free encyclopedia)
Five young men linger in a postadolescent limbo, dreaming of adventure and escape from their small seacoast town. They while away their time spending the lira doled out by their indulgent families on drink, women, and nights at the local pool hall. Federico Felliniâs second solo directorial effort (originally released in the U.S. as The Young and the Passionate) is a semiautobiographical masterpiece of sharply drawn character sketches: Skirt chaser Fausto, forced to marry a girl he has impregnated; Alberto, the perpetual child; Leopoldo, a writer thirsting for fame; and Moraldo, the only member of the group troubled by a moral conscience. An international success and recipient of an Academy Award® nomination for Best Original Screenplay, I vitelloni compassionately details a year in the life of a group of small-town layabouts struggling to find meaning in their lives.
Orchestra Rehearsal (Italian: Prova d'orchestra) is a 1978 Italian film directed by Federico Fellini. It follows an Italian orchestra as the members go on strike against the conductor. The film was shown out of competition at the 1979 Cannes Film Festival. Considered by some to be underrated Orchestra Rehearsal was the last collaboration between composer Nino Rota and Fellini, due to Rota's death in 1979.
An Italian anthology film directed by Roberto Rossellini starring Anna Magnani and Federico Fellini. The film has two parts: "Una Voce Umana" ("The Human Voice") and "Il Miracolo" ("The Miracle").
On the 20th anniversary of Federico Felliniâs death, Ettore Scola, a devoted admirer of the incomparable maestro, commemorates the lesser-known aspects of Felliniâs personality, employing interviews, photographs, behind-the-scenes footage as well as Felliniâs drawings and film clips.
A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.
Casanova is a libertine, collecting seductions and sexual feats. But he is really interested in someone, and is he really an interesting person? Is he really alive?
A beautiful and ambitious young woman joins a traveling troupe of third-rate vaudevillians and inadvertently causes jealousy and emotional crises.
A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.
With 8 ½ Frederico Fellini leaves a self-portrait where dreams and reality are a mix. With help from a most excellent cast and unique scenery this self reflecting film is one of his master works.
A behind-the-scenes documentary about the filming of the Federico Fellini film, "Satyricon."
Film depicts the events on board a luxury liner filled with the friends of a deceased opera singer who have gathered to mourn her.
Three directors each adapt a Poe short story to the screen: "Toby Dammit" features a disheveled drugged and drunk English movie star who nods acceptance in the Italian press and his producers fawn over him. "Metzengerstein" features a Mediveal countess who has a love-hate relationship with a black stallion - who, it turns out is really her dead lover. "William Wilson" tells the story of a sadistic Austrian student with an exact double whom he later kills.
A year in the life of a small Italian coastal town in the nineteen-thirties, as is recalled by a director with a superstar's access to the resources of the Italian film industry and a piper's command over our imaginations.
After the death of his wife, wealthy businessman Philip Emmenthal and his son Storey open their own private harem in their family residence in Geneva (they get the idea while watching Federico Fellini's 8½ and after Storey is "given" a woman, Simato (Inoh), to waive her pachinko debts). They sign one-year contracts with eight (and a half) women to this effect. The women each have a gimmick (one is a nun, another a kabuki performer, etc.). Philip soon becomes dominated by his favourite of the concubines, Palmira, who has no interest in Storey as a lover, despite what their contract might stipulate. Philip dies, the concubines' contracts expire, and Storey is left alone with Giulietta (the titular "½", played by Fujiwara) and of course the money and the houses.
Amelia and Pippo are reunited after several decades to perform their old music-hall act (imitating Fred Astaire and Ginger Rogers) on a TV variety show. It's both a touchingly nostalgic journey into the past, and a viciously satirical attack on television in general and Italian TV in particular, portraying it as a mindless freakshow aimed at morons.
Episodic journey of an Italian journalist scouring Rome in search of love.
Only three of the original five "young guns" -- Billy the Kid (Emilio Estevez), Jose Chavez y Chavez (Lou Diamond Phillips), and Doc Scurlock (Kiefer Sutherland) -- return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett
Visions, memories, and mysticism all help a 40-something woman to find the strength to leave her cheating husband.
During the last winter of the Civil War, cavalry officer Amos Dundee leads a contentious troop of Army regulars, Confederate prisoners and scouts on an expedition into Mexico to destroy a band of Apaches who have been raiding U.S. bases in Texas.
"I saw these movies. They had a powerful effect on me. You should see them." That's Martin Scorsese's message for this documentary. We meet his family on Elizabeth Street in New York; he's a third generation Italian with Sicilian roots. Starting in 1949, they watched movies on TV as well as in theaters, lots of Italian imports. Scorsese, with his narration giving a personal as well as a public context, shows extended clips of these movies. Films of Rossellini and De Sica fill part one; those of Visconti, Fellini, and Antonioni comprise part two. Scorsese takes time with emotion, style, staging, technique, political context, and cinematic influence. It's his movie family.
Forced to give up his land and home, Texas rancher Red Bovie isn't about to retire quietly in a dismal trailer park. Instead he hops in his Cadillac and hits the road with his estranged grandson for one last wild adventure filled with guns, women and booze. Itâs just another night in Old Mexico.
L'Amore in Città (English: Love in the City) is a 1953 anthology film composed of six different segments, each with a different writer or director. List of episodes in order of appearance: "Paid Love" written and directed by Carlo Lizzani, "Attempted Suicide" by Michelangelo Antonioni, "Paradise For Three Hours" by Dino Risi, "Marriage Agency" by Federico Fellini, "Story of Caterina" by Cesare Zavattini and Umberto Maselli, and "Italians Stare" written and directed by Alberto Lattuada.
A veteran pot dealer creates a fake family as part of his plan to move a huge shipment of weed into the U.S. from Mexico.
Michael âJayâ Cochran has just left the Navy after 12 years and he's not quite sure what he's going to do, except that he knows he wants a holiday. He decides to visit Tiburon Mendez, a powerful but shady Mexican businessman who he once flew to Alaska for a hunting trip. Arriving at the Mendez mansion in Mexico, he is immediately surprised by the beauty and youth of Mendezâs wife, Miryea.
Aging small-time con man Augusto (Broderick Crawford), who swindles peasants, works with two younger men: Roberto, who wants to become the Italian Johnny Ray, and Bruno, nicknamed Picasso (Richard Basehart), who has a wife and daughter and wants to paint. Augusto avoids the personal entanglements, spending money at clubs seeking the good life. His attitude changes when he runs into his own daughter, whom he rarely sees, and realizes she's now a young woman and in need of his help to continue her studies. His usual partners are away, so he goes in with others to run a swindle, and they aren't forgiving when he claims he's given the money back to their mark. They leave him beaten, robbed, and alone.
A friend of Fred's, Alejo Otero invites the Scooby gang to Veracruz Mexico where they find the monster, El Chupacabra is terrorizing the town.
A traveling strongman, Zampano, repays the death of Rosa, his assistant, by offering the same job to little sister Gelsomina, whose mother receives compensation in return.
In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.
Ben Cameron (Anthony Quinn) and wife Meg (Debra Paget) struggle to build their small ranch in New Mexico desert. Bad guy Nardo Denning (Ray Milland) arrives in New Mexico looking for his girlfriend and her husband. At gunpoint, Nardo forces the couple to guide him safely to Mexico with the stolen money. Meg has a past with Nardo which her husband doesn't know.
A waifish prostitute wanders the streets of Rome looking for true love but finds only heartbreak.
Two Army officers, an alcoholic ex-Confederate soldier and a womanizing Mexican travel to Mexico on a secret mission to prevent a megalomaniacal ex-Confederate colonel from selling a cache of stolen rifles to a band of murderous Apaches.
The first two days of a marriage. Ivan, a punctilious clerk brings his virginal bride to Rome for a honeymoon, an audience with the Pope, and to present her to his uncle. They arrive early in the morning, and he has time for a nap. She sneaks off to find the offices of a romance magazine she reads religiously: she wants to meet "The White Sheik," the hero of a soap-opera photo strip. Star-struck, she ends up 20 miles from Rome, alone on a boat with the sheik. A distraught Ivan covers for her, claiming she's ill. That night, each wanders the streets, she tempted by suicide, he by prostitutes. The next day, at 11, is their papal audience. Can things still right themselves?
When a crooked sheriff murder his employer, William "Billy the Kid" Bonney decides to avenge the death by killing the man responsible, throwing the lives of everyone around him into turmoil, and endangering the General Amnesty set up by Governor Wallace to bring peace to the New Mexico Territory.
A businessman finds himself trapped at a hotel and threatened by women en masse.
Christine Evans, the fifteen-year-old daughter of the widowed American ambassador to Mexico Jeffrey Evans, believes that she is no longer a young girl and that she has fully matured into adulthood. Eager to make her mark in the sophisticated world of foreign diplomats living in Mexico, Christine appoints herself as organizer of her father's social activities and takes over the planning of a big garden party he will be hosting. Because he loves his daughter,
After shooting to fame with Federico Felliniâs âLa Dolce Vitaâ (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianniâs passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni â elegantly holding a cigarette in between his fingers â is undeniably the dandy.
Jaded ex-CIA operative John Creasy reluctantly accepts a job as the bodyguard for a 10-year-old girl in Mexico City. They clash at first, but eventually bond, and when she's kidnapped he's consumed by fury and will stop at nothing to save her life.
Documentary with interviews and clips of Fellini's movies.
In the late 1800s, a fanatical religious leader, a renegade Sheriff, and a former prostitute collide in a blood triangle on the rugged plains of the New Mexico Territory.
A shy twenty year old becomes a huge fan of Federico Fellini's films and sets out to find the director.
A group of juvenile delinquents live a violent and crime-filled life in the festering slums of Mexico City, and the morals of young Pedro are gradually corrupted and destroyed by the others...
The neurotic New Yorker Woody Allen tells one of the greatest romantic comedies to be set in the city of New York.
A Hollywood songwriter goes through a mid-life crisis and becomes infatuated with a sexy blonde newlywed.
Wannabe filmmakers Phillip Fellini (Sam Maccarone) and Forrest Fonda (Preston Lacy) think they've found the subject of a lifetime when they meet a cave-dwelling, beer-swilling Missouri backwoodsman named Lucky "Cucumber" Cavanaugh (Dian Bachar), rumored to be the unluckiest man alive. But when Lucky's fortunes begin to turn, he and the filmmakers end up on a wild adventure in a comic mockumentary.
The governor of a Mexican state is assassinated. Soon after, junior executive Daryl Chase's life turns upside down: after he flags a huge transfer of funds from a Mexican account as probably illegal, he's attacked in his apartment, rescued by a CIA agent, finds his secretary shot dead, and witnesses two cops get killed. He calls the CIA guy who tells him to grab the next train to Mexico. Leaving M
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