First Generation ()
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Finding love is never easy. For Ravi Patel, a first generation Indian-American, the odds are slim. His ideal bride is beautiful, smart, funny, family-oriented, kind andâin keeping with traditionâIndian (though hopefully raised in the US). Oh, and her last name should be Patel because in India, Patels usually marry other Patels. And so at 30, Ravi decides to break up with his American girlfriend (the one who by all accounts is perfect for him except for her red hair and American name) and embark on a worldwide search for another Patel longing to be loved. He enlists the help of his matchmaker mother, attends a convention of Patels living in the US and travels to wedding season in India. Witty, honest and heartfelt, this comedy explores the questions with which we all struggle: What is love? What is happiness? And how in the world do we go about finding them?
Get up close and personal with 16 of the most successful women in the adult film industry as they shed their clothes for an intimate photo shoot with director Deborah Anderson. As questions are asked, personal stories about their lives are revealed, from why they chose the business of sex to how they got into it in the first place. These porn stars have always been discreet about their private lives in the past, yet Anderson has a way of opening up a dialog allowing them to share more than just their naked skin on screen. Their true inner vulnerability is touching, yet the characters they have created are confident and intoxicating. Once you hear their stories, you'll never look at them in the same way again.
This documentary about Henri-Georges Clouzotâs unfinished 1964 psycho-thriller LâEnfer is as tantalizing as it is frustrating. Despite remaining one of the most masterful of French directors, Cluozot inexplicably seems to have lost control on the big-budget production of LâEnfer. The long-lost raw footage is intriguing and dazzling, infused with swirling lights and blue-lipped, cigarette-puffing fantasy temptresses. Although directors Serge Bromberg and Ruxandra Mederea have managed to speak to numerous members of the original crew, this behind-the-scenes investigation has so little to say about the reasons behind Clouzotâs failure to complete the film. In spite of this, the undiminished power of Clouzotâs extraordinary images makes the documentary a fascinating watch.
Examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.
Without one eccentric first-generation Jewish immigrant from Transylvania, the New York City Marathon simply wouldn't exist. Ehrlich's fun, loving, and inspirational tribute to the late Fred Lebow shows how one man's imagination, determination, and love for running created one of the world's most popular sporting events.
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From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo's avant-garde music scene is internationally known for its boldness. While introducing some of the greatest musicians of this scene, "We Don't Care About Music Anyway..." offers a kaleidoscopic view of Tokyo, confronting music and noise, sound and image, reality and representation, documentary and fiction.
A beautiful love story in danger. Our future depends on an amazing love story between the flowers and fauna consisting of bees, butterflies, birds and bats, which allow these species to reproduce. Delicate and graceful, the flowers are not content to be the ultimate symbol of beauty. On the contrary, their vibrant colors and their exotic flavors are so many wonders that attract pollinators and drunk with desire. All these animals are involved in a complex dance of seduction on which one third of our crops, a dance without which we could survive ... Pollen presents the unsung heroes of the global food chain. Their fantastic worlds are full of stories, drama and beauty. While a fragile and threatened, essential for the balance of the planet, it should now actively protect ...
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Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
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Chronicles the six-decade career of the U.S. film industry's most diverse, dogged and resourceful low-budget producer-director-entrepeneur, painting the soft-spoken Roger Corman as an indie cinema trailbrazer as well as an extraordinary conduit for new talent.
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Louis spends time in one of Miami County Jail's most notorious sections, where many of the most volatile inmates are incarcerated.
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A revolutionary film about the cinematic genius of North Korea's late Dear Leader Kim Jung-IL, with a groundbreaking experiment at its heart - a propaganda film, made according to the rules of his 1987 manifesto. Through the shared love of cinema, AIM HIGH IN CREATION! forges an astonishing new bond between the hidden filmmakers of North Korea and their Free World collaborators. Revealing an unexpected truth about the most isolated nation on earth: filmmakers, no matter where they live, are family.
A look at the history of the comic book publication that launched such legendary characters as Superman, Batman and Wonder Woman.
Home video changed the world. The cultural and historical impact of the VHS tape was enormous. This film traces the ripples of that impact by examining the myriad aspects of society that were altered by the creation of videotape.
A documentary film that explores the early Boston Hardcore music scene from the years 1981 through 1984. This film delves into the social and communal aspects of that particular era. The community, culture, straight edge and DIY (do it yourself) ethic of the time are all explored in the film. Never before seen archival footage, photographs, interviews and dramatizations make up the body of the film. Bands included are SS Decontrol, DYS, Gang Green, The FU's, Jerry's Kids, Negative FX, The Freeze, and more.
Even though bringing in cameras to the internment camps was prohibited, one man managed to smuggle in his own camera lens and build a camera to document life behind barbed wires, with the help of other craftsmen in the camp. That man was Toyo Miyatake, a successful issei (first generation immigrant) photographer and owner of a photo-shop in the Los Angeles Little Tokyo district, and of one of the many Americans who was interned with his family against his will. With his makeshift camera, Miyatake captured the dire conditions of life in the camps during World War II as well as the resilient spirit of his companions, many of whom were American citizens who went on to fight for their country overseas. Miyatake said, "It is my duty to record the facts, as a photographer, so that this kind of thing should never happen again."
The city of Brasilia hoped to become, from its very architecture, the expression of a modern urban conception and an egalitarian society. However, neither the workers hired to pursue this project, nor the constant migratory flow that took place from the beginning, fitted in the governmentâs plan. In 1971, began what was known as the âCampaign to Eradicate Invadersâ. The parents of director Adirley Queirós were amongst the thousands of people displaced towards Brazilian outskirts, into a suburb that borrowed the campaign initials and was named Ceilândia. Queirós, member of the first generation of the âceilandesesâ, was âan offspring of the contradiction that resulted in being a part of Brasilia without being from Brasiliaâ. Together with other locals, the director reflects about the history, the transformations, and the future of this place where the hypocritical official jingle âA cidade é uma só!â is no longer heard.
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In Guesta Verde University, the deranged Professor Curien is trying to bring back the dead, killing students for the experiment. There is an outbreak of zombies in the campus, and the government sends a NSA medical research team, formed by Dr. Alexandra Morgan a.k.a. Nightingale and lieutenant Ellis, with a special force leaded by lieutenant Dalton, trying to get the zero sample from the first generation zombie. The team has a very short time to accomplish their mission and leave the place before missiles are sent to destroy the area. However, the place is crowded of hyper sapiens and the group has to fight to survive.
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Mexican beauty Camilla hopes to rise above her station by marrying a wealthy American. That is complicated by meeting Arturo Bandini, a first-generation Italian hoping to land a writing career and a blue-eyed blonde on his arm.
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.
Also known as Moritorium and Georgia's Friends, Four Friends follows the titular quartet from high school to young adulthood. The film is set during the tumultuous 1960s, an era when everyone's values were turned inside out, shaken around, and reassembled. The central character is first-generation American Craig Wasson, who confounds his Yugoslavian father (Miklos Simon) by pursuing his own let-it-all-hang-out lifestyle. Wasson's best friends are athlete Jim Metzler and chubby Michael Huddleston; all pursue the affections of bewitching Jodi Thelan. Though they are obviously deeply in love with one another, Wasson and Thelan continue to foolishly avoid a long-term commitment as the sixties unfold around them. Four Friends calls for a fresher approach than the one offered by director Arthur Penn, whose handling of the material is much too pat and old-fashioned.
Corky, a tough female ex con and her lover Violet concoct a scheme to steal millions of stashed mob money and pin the blame on Violet's crooked boyfriend Caeser.
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Recently released from a mental hospital, Ricky ties up Marina, a film star he once had sex with and keeps her hostage.
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Hannah is a young woman who lives on her own. She starts to get this feeling that she is being watched. The phone starts ringing at night and when she answers, no one is there. Is she imagining everything or is it for real?
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The story revolves around a Spring, a hitman from mainland China who is on a mission in Hong Kong with his partner Setting Sun. However, Spring falls ill and comes under the care of a screenwriter by the name of Soya and they find themselves developing into a tight and everlasting friendship.
Teenager Kazuki Miyaichi has always felt unloved by her mother due the circumstances surrounding her birth. Because she harbors anxiety and perceives herself as being worthless to others, she engages in acts of juvenile delinquency. One day, a transfer student from Yokohama named Eri introduces her to Hiroshi Haruyama, a reckless youth whoâs a member of the âNightsâ motorcycle gang. Kazuki finds herself increasingly drawn to Hiroshi over time, but he soon becomes leader of the Nights and gets caught up in a conflict with a rival gang.
The year is 1919. German troops retreat from Ukraine. The Directory, the Ukrainian national government lead by Symon Petliura, takes control of Kyiv. Meanwhile, the Bolshevik division commanded by Mykola Shchors is marching on the capital. The Bolsheviks capture the cities of Vinnytsia, Zhmerynka, and others one by one, but lose Berdychiv to Petliuraâs forces. They are demoralized by the defeat. By his personal example of courage and military skill, Shchors inspires the retreating Red troops and leads them to victory over the enemy.
Chronicles a day in the life of a grieving woman, and the twelve visitors who help her move forward.
A serial killer is taking down the hip hop industry one rapper at a time and the detectives on the case must get to him before the killer does.
A young Italian actress embarks on a self-destructive spree of sex, drugs and other excess while doing some soul searching to find the path for redemption.
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On a remote former submarine refueling facility called Aquatica, a team of scientists are searching for a cure for Alzheimer's disease. Dr. Susan McAlester genetically engineers three Mako sharks, intending to increase their brain capacity so that they can harvest the tissue as a cure for Alzheimer's. Unfortunately, the increased brain capacity also makes the sharks smarter, faster, and more dangerous. Aquatica's financial backers are skeptical and nervous about the tests, and send a corporate executive to visit the facility.
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Three flatmates in Mexico City face uncertainties: LucÃa who has a great job as an art director for TV commercials is abusing alcohol and cocaine. She risks losing her job, going to prison for assault, and she's woefully in love with a bullfighter who may be two-timing her. Carmen, an artist without income, can be manic - snorting lots of cocaine and hanging out with a gay man and a transvestite. What's her future? Hanna contemplates divorce from Abraham, a wealthy momma's boy, and she's disoriented by feelings of attraction to Sandra, a customer at her jewelry store. Can any of these poor little rich girls sort things out in a world of excess?
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