Die Taube auf dem Dach (1990)
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Uday (Siddharth), is a rich kid who becomes chairman of a company following the death of his father. He believes in the adage of life is short and carpe diem. At New Year's Party 2007, he spies on a girl called Sandhya (Shamili) in a salwar-kameez, writing a diary at the pub. Through a series of searches with his friend "Fatso" (Krishnudu), he ends up discovering that Sandhya lives alone at a beach side house and runs a nursery. She is very traditional with her own ideals. He enters in her house on a pretense as a Paying Guest to make her fall in love with him. After a series of attempts to woo Sandhya, Uday eventually succeeds and presents her with 12 gifts on her birthday, the last being Uday himself.
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Actor turned director Luigi Lo Cascio stars as the talented architect and fervent environmentalist Michele who has moved from Palermo to his ideal city, Siena. He holds a successful job and is living out a dream experiment of functioning one year without running water or electricity. Not surprisingly, he also displays a passionate opposition to cars and driving. One evening, after being forced to borrow his bossâ car in order to collect a colleague for a work function, Micheleâs life takes an unexpected turn.
In the blinding rain Michele hits something he cannot identify. After leaving a note on a parked car he believes he damaged, he continues down the road only to come across a dead body a few miles down which he later discovers belongs to one of Sienaâs most important luminaries. Michele immediately calls the police, but in doing so, he unwittingly brings intense suspicion on himself as his uncertainty raises more questions than he has answers for.
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When a hard-working machinist loses a promotion to a Polish-born worker, he is seduced into joining the secretive Black Legion, which intimidates foreigners through violence.
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The Devil Wears Prada is about a young journalist who moves to New York to work in the fashion industry. Her boss however is extremely demanding and cruel and wonât let her succeed if she doesnât fit into the high class elegant look of their magazine when all she really wants to be a good journalist.
Melinda is a new substitute teacher at the Malawig Elementary School, located in a poor remote barrio. A young university graduate, her family expects her to look for work abroad, but in her idealism she takes on a challenging job in the provincial public school, which lacks resources and has corrupt personnel. The heavy monsoon rains and the nearby NPAs also add to her difficulties. The children are indifferent to their studies, having been affected by the hopelessness around them. Melinda tries to motivate them by capitalizing on their interest and talent in singing. She takes advantage of a funding opportunity to enter them in a choral contest. She encounters some resistance, however, from the school administration and from the parents of her students. Furthermore, the death of one of the choral groupâs members at the hands of the Armed Forces of the Philippines casts a pall on their once joyful preparations. Melinda, however, constantly tries to rise above these challenges.
Starting from childhood attempts at illustration, the protagonist pursues his true obsession to art school. But as he learns how the art world really works, he finds that he must adapt his vision to the reality that confronts him.
Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater⦠there is no longer any difference.
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