Shades of Fern (1984)
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Unemployed Vijay is the youngest in his family consisting of his widowed mom, and two brothers. His passion is poetry - frowned upon by his brothers - who want him to find gainful employment instead. Vijay's poems are quite radical in which he laments about the poor, the destitute, and the arrogance of the rich after the departure of the British from India. His efforts to get them published are in vain. He takes to drinking, gets in trouble with the law, is disowned by his brothers, ends up at a brothel and befriends a prostitute named Gulabo. Gulabo is sympathetic, listens to him as he pours his heart out, and decides to assist Vijay. Watch what happens when Gulabo approaches some of her affluent clientèle to assist Vijay and try and get his work published, without revealing that they are written by an alcoholic, disheveled, homeless man.
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Alan Rickman and Emma Thompson star in The Song Of Lunch, a powerful and visually arresting film, made by BBC Drama Production for BBC Two, to mark National Poetry Day on 7 October. The film, a dramatisation of Christopher Reid's narrative poem, tells the story of an unnamed book editor (Alan Rickman) who, 15 years after their break-up, is meeting his former love (Emma Thompson) for a nostalgic lunch at Zanzotti's, the Soho restaurant they used to frequent.
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Narrated collection of the greatest Dobrisa Cesaric's poems.
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The first film adaptation of Sir Arthur Conan Doyle's classic novel about a land where prehistoric creatures still roam.
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The Wild Duck is a 1983 Australian film adapted from the play by Ibsen
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The timeless tale of King Arthur and the legend of Camelot are retold in this passionate period drama. Arthur is reluctant to hand the crown to Lancelot, and Guinevere is torn between her loyalty to her husband and her growing love for his rival. But Lancelot must balance his loyalty to the throne with the rewards of true love.
This fiction-documentary hybrid uses a sensational real-life eventâthe arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbafâas the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.
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