Island of the Dead (1993)
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Oleg, the host of a TV show is asked to cover in his show a new ultramodern amusement park called "Park of the Soviet Period". The life in the park is an exaggerated version of the soviet life - pioneers parading, girls selling soda water on the street, socialist banners are everywhere, communist party decisions, free medical procedures, etc. When Oleg falls in love with a nurse he discovers that the rules of the Park forbid any personal contact with the staff, that was trained to live a very different life compared to the life in the world outside. As he fights to gain the heart of the nurse he finds deep flaws in the Utopian atmosphere of the park and decides he must do something about it.
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
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The Tramp struggles to live in modern industrial society with the help of a young homeless woman.
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Traces episodes in the lives of three Cuban women, each named LucÃa, from three different historical periods: the Cuban war of independence (with Spain), the 1930s, and the 1960s.
Through a period of five days, the story follows intertwined characters who live in false serenity and rather chaotic general order.
Based on the life of Luang Pradit Pairoh (Sorn Silapabanleng) the most revered traditional Thai music master who lived during the reigns of Kings Rama V to VIII, the movie traces the life of Sorn, who picked up the ra-nad ek (Thai xylophone) mallets as a small child and played all his life. The backdrop to Sorn's life tale is the story of Thailand's classical music from its golden age during the reign of King Rama V to near extinction after the end of the absolute monarchy when the government banned it as uncivilised in the 1930s -- a time when Field Marshall Plaek Pibulsongkram tried to push the Kingdom into the modern era.
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The story of a son's conflicting memories of his dying father.The film is a series of flashbacks to various periods in the life of Blake Morrison as he remembers moments he shared with his father Arthur while he, his mother, and younger sister Gillian tend to him on his deathbed in his Yorkshire home. Despite Blake's success as a writer, poet, and critic, his father - a rural general practitioner - never accepted his decision to pursue a literary career nor was he willing to acknowledge his achievements in his field. Bullying, blustery, and boorish, Arthur blunders his way through fatherhood, regularly calling his son a fathead and intruding into the boy's private moments with a sense of entitlement
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