Choose Me (1984)
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The film consists of four stories plus epilogue, set in 19th-century Sicily. THE OTHER SON - A mother spends her life waiting for news from her two sons (emigrated to America) while ignoring her third, because he is the reincarnation of the bandit who raped her. MOON SICKNESS - a newly-wed peasant girl discovers that her husband goes mad every full moon. She arranges for a male friend to protect her, but they end up in bed together just as the moon emerges from behind a cloud. THE JAR - a rich landowner hires a master craftsman to repair a giant olive jar, but the craftsman gets trapped inside. REQUIEM - villagers band together in an attempt to force their landlord to let them bury their dead. CONVERSATIONS WITH MOTHER - the writer Luigi Pirandello talks with his aged mother about a story he always wanted to write, but which he never managed to capture in words. Written by Michael Brooke
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With John's social life at a standstill and his ex-wife about to get remarried, a down on his luck divorcée finally meets the woman of his dreams, only to discover she has another man in her life - her son. Before long, the two are locked in a battle of wits for the woman they both love-and it appears only one man can be left standing when it's over.
An offbeat romantic comedy about a silver-painted street performer and the soft spoken zoo worker who falls for him.
Thomas Thomas is agoraphobic, has a computer-generated girlfriend, and hasn't left his home in years. Can a prostitute convince him to leave cyberspace and his home for the real world?
Good girls Merritt, Melanie, Tuggle and Angie - all students at mid-western Penmore University - are planning on going to Fort Lauderdale, Florida for spring break to get away from the mid-western snow despite not having much money to spend once there. On the drive down, they admit their real purpose is to go where the boys are.
A workaholic architect finds a universal remote that allows him to fast-forward and rewind to different parts of his life. Complications arise when the remote starts to overrule his choices.
The story of a great rivalry between a father and son, both eccentric professors in the Talmud department of Hebrew University in Jerusalem. The son has an addictive dependency on the embrace and accolades that the establishment provides, while his father is a stubborn purist with a fear and profound revulsion for what the establishment stands for, yet beneath his contempt lies a desperate thirst for some kind of recognition. The Israel Prize, Israel's most prestigious national award, is the jewel that brings these two to a final, bitter confrontation.
Pete, an eight-year-old Catholic boy growing up in the suburbs of Chicago in the mid-1970s, attends Catholic school, where as classes let out for the summer, he's admonished by a nun to follow the path of the Lord, and not that of the Devil. Perhaps taking this message a bit too seriously, Pete decides it's his goal for the summer to help someone get into heaven; having been told that Catholicism is the only sure path to the kingdom of the Lord, Pete decides to convert a Jew to Catholicism in order to improve their standing in the afterlife. Hoping to find a likely candidate, Pete begins visiting a nearby synagogue, where he gets to know Rabbi Jacobson, who responds to Pete's barrage of questions with good humor. Pete also makes friends with the Rabbi's son, Danny, who is about the same age; when he learns that Danny is seriously ill, he decides Danny would be an excellent choice for conversion.
Italy, 1916. Oreste Jacovacci and Giovanni Busacca are called, as all the Italian youths, to serve the army in the WWI. They both try in every way to avoid serving the army.
Lo Tung and his friend Malted Candy, pedicab drivers working the streets of Macao, have both fallen in love. The problem is that both their objects of affection - one a baker, the other a prostitute - are working under cruel and lecherous bosses. Somehow, the pair must find a way to win the ladies' hearts and free them from their unpleasant jobs.
Iris invites her friend Jack to stay at her family's island getaway after the death of his brother. At their remote cabin, Jack's drunken encounter with Hannah, Iris' sister, kicks off a revealing stretch of days.
In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
A WWII Coast Guard veteran, Lt. Scott Burnett (Robert Ryan), is plagued by nightmares of his combat days. One day, he meets a woman, Peggy Butler (Joan Bennett), walking on a beach, picking up pieces of wood. Butler is married to a grumpy, blind painter, Ted Butler (Charles Bickford). Despite his affections for his fiancée Eve (Nan Leslie), whose father is a boat builder, Scott falls in love with Peggy and soon breaks off the engagement. Peggy reveals that she blinded her husband years earlier by throwing a glass at him during an ugly spat, ruining his career and her own ambitions to be an upper-class socialite. Scott fears that Ted is suspicious that he is having an affair with Peggy and becomes so paranoid that he begins to believe that Ted is faking his blindness â and sets out to prove it. This was the fifth and final American film by the great French writer-director Jean Renoir.
Reunited at a wedding after many years, former lovers again feel the pull of a mutual attraction neither is willing to admit. Escaping the reception for the privacy of a hotel room, the unnamed pair explore the choices of the past that led them to the present.
It all begins at a party in Santiago, Chile, when a seemingly innocent gesture -- the offer of a ride home -- ends in a passionate night of lovemaking and intense conversation for young singles Bruno and Daniela. Shacked up at a flea-bitten motel for a one-night stand, the pair lingers deep into the night, alternating between powerful physical encounters and an ever-deepening emotional connection.
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In Lesvos, shepherd Lamonas someday finds an abandoned baby boy suckling a goat and adopts it, and names him Daphnis. Around the same time, another shepherd, Dryantas, finds too an abandoned baby girl and adopts it, naming her Chloe. Daphnis and Chloe grow together and, passing the threshold of puberty feel the buzz of first love. They do not know yet what is happening to them, until a beautiful woman who desires Daphnis, initiates him into the secrets of love. Daphnis in turn initiates Chloe, too. In the meantime, it is revealed that Daphnis is the son of Lord Dionysiofani, and Chloe daughter of a ruler of the island, Megacles.
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A housemaid falls in love with Dr. Jekyll and his darkly mysterious counterpart, Mr. Hyde.
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ust doing his job, magazine editor Taishin Mamiya (Yoshikazu Kotani) interviews high school model Noeru Kisaragi (Takumi Saito). Despite Noeru's bad attitude, an enchanting picture of the ocean he draws leads Mamiya to invite him out for dinner after-wards. They connect at the restaurant, but while in the bathroom there Noeru solicits Mamiya sexually. The next morning, Noeru's office calls the magazine office where Mamiya works. "Your editor was rude. Have him come and apologize." When Mamiya goes to Noeru's house to deliver the apology, he sees Noeru with a dirty-looking man. Mamiya is shocked to discover at that moment that his interest in Noeru goes beyond article researchâhe truly wants to know more about him.
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Playboy Thomas Fuentes has so far been able to skate by in life on good looks and charm alone. But when his duplicitous relationships with three women -- impassioned waitress Cici, meticulous lawyer Lorena and bored socialite Patricia -- spiral out of control, he suffers a mental breakdown. His doctor recommends that he choose just one girlfriend -- but can he choose in time before they discover his deception?
A young opera singer finds her career stalled because of her cold and passionless performances, until she finds romance with a handsome admirer.
Whenever elementary school teacher Kang Joon-soo (Lee Seung-gi) falls in love, he always gives too much of himself to the relationship. Yet despite that, he ends up being the one getting dumped by his girlfriends. Joon-soo has been friends for 18 years with Kim Hyun-woo (Moon Chae-won), a weather forecaster whose beauty belies her witty tongue and aggressive manner.
Sex is a background to examine intimacy and vulnerability. Looks at the complexity of modern day relationships told through eight separate couples. Through dialogue and compromising situations, the film takes us from the beginning of a relationship to the aftermath of one, and examines every stage in between seeing humor within the drama, heartache and confusion of it all.
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Pin-up photographer, who doesn't want to get pinned down, comes up against a girl who won't take no for an answer.
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Based upon S. Prokofyevaâs play âA Conversation Without Witnessesâ. Irina Kupchenko (âLonely Woman Seeks Lifetime Companionâ) and Mikhail Ulyanov (âThe Rifleman of the Voroshilov Regimentâ) in a sad story directed by Nikita Mikhalkov (âBurnt by the Sunâ) about two people who once loved each other.
After her cheating husband leaves her, Mildred Pierce proves she can become independent and successful, but can't win the approval of her spoiled daughter.
Jean Renoir's directional debut and first silent film stars his wife, Catherine Hessling, as a young girl who manages to turn her tragic family life into one of joy and happiness.
This sequel to Flowers in the Attic picks up 10 years after Cathy, Chris and Carrie managed to escape Foxworth Hall.
Weekend trips, office parties, late night conversations, drinking on the job, marriage pressure, biological clocks, holding eye contact a second too long⦠you know what makes the line between âfriendsâ and âmore than friendsâ really blurry? Beer.
After seeing the initial passion and romance fade into a series of routine and boring relationships, Alexandre (Vincent Perez) concludes that romance ends when sex enters into a relationship. Determined to prevent this from happening with his latest love-interestâa sexy young woman named Fanfan (Sophie Marceau)âhe decides that platonic love is the solution. Despite the wonderful, romantic, and inventive ways Alexandre finds for them to spend time together, Fanfan is left disappointed by his refusal to make love to her. Their exciting relationship becomes jeopardized by Alexandre's unwillingness to change his new approach to love.
The story of Quinn and Graham, two engineering students who discover a mathematical formula to pick up women with ease.
The film begins on a train journey with Gustav Mahler (Robert Powell) and his wife Alma (Georgina Hale) confronting their failing marriage. The story is then recounted in a series of flashbacks (some of which are surrealistic and nightmarish), taking one through Mahler's childhood, his brother's suicide, his experience with anti-semitism, his conversion from Judaism to Catholicism, his marital problems, and the death of his young daughter. The film also contains a surreal fantasy sequence involving the anti-Semitic Cosima Wagner (Antonia Ellis), widow of Richard Wagner, whose objections to his taking control of the Court Opera were supposedly removed by his conversion to Catholicism. In the process, the film explores Mahler's music and its relationship to his life.
The Conversation is a Francis Ford Coppola thriller from 1974 about a professional surveillance man who is hired to record the conversations between two workers. Yet it looks like heâs gotten into more than heâs getting paid for as information about a murder may have been recorded.
The Côte dâAzur. 1915. In his twilight years, Pierre-Auguste Renoir is tormented by the loss of his wife, the pains of arthritic old age and the terrible news that his son Jean has been wounded in action. But when a young girl miraculously enters his world, the old painter is filled with a new, wholly unexpected energy. Blazing with life, radiantly beautiful, Andrée will become his last model, and the wellspring of a remarkable rejuvenation. Back at the family home to convalesce, Jean too falls under the spell of the new, redheaded star in the Renoir firmament. In their Mediterranean Eden - and in the face of his father's fierce opposition - he falls in love with this wild, untameable spirit... and as he does so, within weak-willed, battle-shaken Jean, a filmmaker begins to grow.
The daughter of a Jehovah's Witness is forced to choose between religion and love when she falls for someone outside her faith.
Franck Poupart is a slightly neurotic door-to-door salesman in a sinister part of Paris' suburbs. He meets Mona, a teenager, who's been made a prostitute by her own aunt. Franck would like to change his life and also save Mona from her aunt. Murder is the only solution he finds to achieve his goal... A very gloomy movie, exuding dispair and uneasiness, with pathetic characters.
A woman drives in her car, wearing a grave look on her face. In the background, we hear the sounds of the freeway. The camera often captures her face, but occasionally we look at her from behind. Hypnotising lines on the road whiz by. Just like trees and other elements surrounding the road. Some short telephone conversations alternate with long silences. Meanwhile, the spectator travels along with the woman for many miles. Next, her phone rings for the third time. It turns out to be her lover. Gradually, the nature of the conversation becomes clear. It is their final, but intense and extensive talk. One time, the tone is very impersonal, another time defiant or even particularly emotional. More and more becomes clear about the two characters and their past relationship.
Katheryn Winnick (Night and Day) plays Fiona Wagner, a woman with a decision. A cold-blooded killer delivers a moral dilemma via knifepoint. She must choose to kill either her father or her mother.
The fictional Father Ãngel de la Cruz is based on Legion of Christ
founder Marcial Maciel, whose long history of child abuse was not
addressed until 2006 and only publicly acknowledged in 2009.
But director Luis Urquiza chooses to structure his film through the
largely uncomprehending, wondering eyes of 13-year-old Julián, who
travels from the arms of his loving pastoral family into the austere,
hallowed halls of the seminary. Singling out the boy as his intimate
disciple, installing him in his palatial private quarters and redubbing
him âSacramento Santos,â Father Ãngel begins Julianâs instruction
into the mysteries of âperfect obedience,â whose cardinal rule is:
Never question a superiorâs actions.
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