Sartana the Gravedigger (1969)

Director
Giuliano Carnimeo

Main cast
Klaus Kinski; Gianni Garko; Frank Wolff; Gordon Mitchell; Ettore Manni

Genres
Western, Mystery

Description
Sartana is falsely accused of robbing a bank, and must find the real robbers and clear his name.


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After witnessing a brutal massacre, the legendary hero Sartana is ready to do some investigating. Almost everyone in the tiny town of Indian Creek seems eager to buy up the property left behind by the murder victims, and one of them could well be behind the killings. The sheriff himself is not above suspicion, so Sartana must uncover the culprit all on his own.
After a stagecoach is robbed and the passengers murdered, a long and tangled series of surprise attacks a murderous double-crosses leaves the coach's strongbox in the hands of the killer Lasky. It is up to the legendary hero Sartana to track down the missing money and determine just who is ultimately behind the grisly robberies and killings.
The small desert town of Black City is held in a reign of terror by a nasty gang of criminals lead by the ruthless Bud Willer. Earnest, but inexperienced Sheriff Jack Ronson arrives in town to establish law and order. Mysterious bounty hunter Django helps Ronson out.
A gang of vicious outlaws lead by the crazed Black Burt Keller abduct Jessica Colby and decide to flee to Mexico. Shrewd bounty hunter Django and saintly roving gunslinger Sartana join forces to rescue the poor lass from the gang's vile clutches.
Sartana and Trinity set out on a grudging relationship hell bent for gold and comic brawls. - East West DVD sleeve
Wily roving gunslinger Sartana arrives in a small town and tries to find a hidden fortune of half a million dollars in gold and two million dollars in counterfeit money. Naturally, a bunch of other treacherous folks who include conniving widow Senora Manassas, shrewd fellow gunslinger Grand Full, and the vicious and unhinged General Monk are also looking to get their greedy hands on said fortune.
Johnny Liston has just been released from prison where he has wrongly served twelve years for a murder. He returns to Campos, the village of his birth, where the whole town is terrorized by Johnny's brother, Sartana, who has taken Manuela, Johnny's fiancèe to be his lover. With his only friend a mute, Johnny must seize all opportunity to find out why he was framed, who was involved and why he is not welcome. source: SWDB www.spaghetti-western.net
Nebraska Clay kills a gang of outlaws in self-defense but is imprisoned for further investigation of the crime. While in jail he meets an outlaw named “Crazy Person” and escapes with him when his gang carries out a jailbreak.
Lee Van Cleef stars as Talby, a sadistic gunfighter who rides into town and takes on a young outcast as his apprentice.
Several pillars of society have robbed an Army safe containing $100,000 so they can buy the land upon which the coming railroad will be built. But they haven't reckoned on the presence of the master gunslinger, Sabata.
This audaciously dishonest spaghetti western from prolific director Demofilo Fidani (using the pseudonym "Lucky Dickerson") was created piecemeal using lengthy sequences from Fidani's previous films. The premise has legendary gunslinger Django (Hunt Powers) recounting some of his greatest adventures to a rapt Wild Bill Hickock (Gerardo Rossi as Jerry Ross) in a saloon. The stories which Django tells are entire scenes from such Fidani films as Arrivano Django e Sartana... E la Fine! (1970), Inginocchiati Straniero... i Cadaveri non Fanno Ombra (1971), and Quel Maledetto Giorno d'Inverno Django e Sartana... all'Ultimo Sangue (1971). Fidani regulars Gordon Mitchell, Dennis Colt and Lucky McMurray also appear.
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After being set-up and betrayed by the man who hired him to assassinate a Texas Senator, an ex-Federale launches a brutal rampage of revenge against his former boss.
The film resembles a Ten Little Indians plot, with the crew of a Western film in post-production (who are staying as guests on an island retreat) cropping up as corpses one by one after the mysterious and inexplicable kidnapping of a child. The film plays up its traditional mystery angle, with each of the guests being as likely a suspect as the next, in scenes such as one in which all of the guests sit around in the parlor and cast dramatic, accusatory glances at one another.

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