Judith (1966)
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Lucia (40) is a wilful nurse, risen up from a simple environment, who raises suspicion with her colleagues and superiors when sheâs once again present at an inexplicable death. The more the ambitious Assistant District Attorney Judith (32) learns about this, as it turns out, ex-prostitute, the more sheâs disgusted by this woman who murders mortally ill seniors and babies. The newspapers are full of it. The District Attorney gives Judith the freedom to lead the investigation into this âAngel of Deathâ. She is finally assigned the case that could get her promoted: the case of Lucia de B. Â As assistant to the District Attorney Judith puts her all into an exhausting investigation. The verdict is gripping. Lucia is sentenced to life for four murders and three attempted murders. Judith enjoys the victory, because this will surely lead to her promotion to District Attorney. Â But then doubt hits her.
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Fanfan is a young handsome peasant. He joins the army to escape marriage and because a gipsy girl predicted he will get glory and the king's daughter as a wife. But the gipsy girl was in fact Adeline, the daughter of the recruiting officer. Once he has discovered the stratagem, Fanfan refuses to forget this dream and decides to fulfill the destiny of the fake prediction. Fantastic swashbuckling adventures in a 18th century setting, with a light criticism of the war and the mighty.
Marion is a woman who has learned to shield herself from her emotions. She rents an apartment to work undisturbed on her new book, but by some acoustic anomaly she can hear all that is said in the next apartment in which a psychiatrist holds his office. When she hears a young woman tell that she finds it harder and harder to bear her life, Marion starts to reflect on her own life. After a series of events she comes to understand how her unemotional attitude towards the people around her affected them and herself.
A seductive woman gets an innocent professor mixed up in murder.
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A man and a woman meet by accident on a Sunday evening at their childrens' boarding school. Slowly they reveal themselves to each other, finding that each is a widow/widower. Each is slow to reveal anything personal so that each revelation is hidden by a misperception. They become friends, then close friends, and then she reveals that she can't have a lover because, for her, her husband's memory is still too strong. Much of the film is told wordlessly in action, or through hearing one of their thoughts as they go about their day.
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