Gate of Flesh (1964)
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Prostitute. Hooker. Sex Worker. Whore. Candid and seductive, Angie is determined to set the record straight about sex. As she reveals herself, layer-by-layer, she also exposes the man who is interviewing her. Sometimes provocative and confronting, sometimes tender, poignant and sexy, Black & White & Sex takes you behind the scenes and into Angies very special world. There's a question here for every man and an answer for every woman. Anyone who pays is welcome - but leave your expectations at the door sex is never black and white. Written by Angie Winter
A 'chance' meeting in the street, give you the opportunity to Agata and Marc to help each other to overcome the inertia of their lives. Tired of going from bed to bed and boy to boy, Agata is confronted with the challenge of staying, not flee to problems. But Agata does not know what's wrong, feels a barrier to enjoying sex. The parents of Agata added to the situation, an extra humor and problems. Eroticism, sensuality, tension and humor, make this film a new style of film making, where bodies do not hide and the sex scenes are displayed naturally, openly.
Marco leads a double life. As Marco, he is a construction worker but rich ladies craving sexual excitation know him as Patrick. As Marco he is married to Fanny, an ambitious young woman who has opened her own hairdressing salon in partnership with her friend Rosalie. Marco/Patrick is not a male prostitute at heart: in fact he does the job in order to support his wife's business. Which doesn't prevent Judith, an elegant tele-shopping presenter who buys his services, from falling in love with him. But when Fanny learns what Marco does and with whom, she first gets mad but soon starts interfering in their affair.
A girl loves a rich and much older man and is willing to do everything he wants to show her love, but he is playing a sick game with her. As part of this game he sends her to a Chinese brothel. A poor young boy sees her and falls in love with her. To get the money needed to sleep with her, he joins "the revolution". Additionally the movie shows the fate of some of the other prostitutes.
A New York writer on sex and love is finally getting married to her Mr. Big. But her three best girlfriends must console her after one of them inadvertently leads Mr. Big to jilt her.
The film has been ten years in the making, and over time it has grown to become what the director himself has called an artistic testament. It is simultaneously his most personal and most provocative film. A film about growing older, about losing, about the special moments one remembers, and about the director's own circling around the essence of eroticism.
âTattooed Life' begins with a parasol wielding Yakuza assassin attacking a rickshaw. It almost looks like feudal Japan until somebody pulls a gun and we're reminded that it's the 20th century. Post-shooting, the assassin delivers his bounty to his brother (to pay for his art school education) before getting ambushed in one of the few rickshaw-jacking incidents in film history, and being rescued by his art-student brother. In the aftermath, one brother is marked for death by the Yakuza, and the other brother won't go to art school with blood on his hands, so they decide the perfect way to deal with such hardships is to become fugitive construction workers in northern Japan . And why not?
Among his most deliciously perverse films, Godâs Comedy centers around the outlandish presence of Monteiro, once again as João de Deus, now employed as the eccentric manager of the Paradise ice cream parlor and inventor of its renown and guarded ambrosia. A collector of female pubic hair - including a precious strand from Queen Victoria - Monteiro's Joao de Deus embodies the cryptically entomological eroticism that lies at the tremulous heart of his late films. The meticulous staging of Godâs Comedy underscores Monteiroâs heightened sensitivity to the occult eroticism of everyday rituals, rendering the serving and stirring of the ice cream as sacred and hauntingly sensuous ceremonies.
Fascinating journey through the life and work of the prestigious Catalan poet Jaime Gil de Biedma, both marked by sexuality and eroticism. Charismatic and somewhat eccentric, brilliant intellectual with extraordinary sensitivity and member of Barcelona's 'gauche divine' in the 60s, Gil de Biedma liked to describe himself as a 'poet of experience' while he suffered dreadfully from the dichotomy strangling him: bourgeois and executive for a multinational by day, communist and homosexual poet by night.
Out of jail for a crime she did not commit, Madelon turns to prostitution and thievery to send her illegitimate son to medical school.
Two young couples using anonymous sex as a catalyst to fix their troubled relationships must rethink what makes a connection work.
Isabelle, a 17-year-old student, loses her virginity during a quick holiday romance. When she returns home, she begins a secret life as a prostitute for a year.
Two interwoven stories. The first is a biography of anarchist Sakae Osugi which follows his relationship with three women in the 1920s. The second centers around two 1960s' students researching Osugi's theories.
Spending their summer on an exotic beach, two brothers fall for the same beautiful girl, whose charm and looks may hide more than they they bargained for.
A journalist tries to balance the duties of marriage and motherhood while researching a piece on college women who work as prostitutes to pay their tuition.
In Okayama in the mid-1930s, Kiroku attends high school and boards with a Catholic family whose daughter, Michiko, captures his heart. He must, however, hide his ardor and other aspects of his emerging sexuality, focusing his energy on a gang he joins, breaking school rules, and getting into scuffles (he tells her, "Oh, Michiko, I don't masturbate, I fight"). He comes under the influence of a young tough nicknamed Terrapin, and together they lead fights against rival gangs. Gradually, Kiroku and Terrapin align themselves with the right-wing Kita Ikki, and Kiroku becomes a stand-in for the attitudes of Japanese youth who embraced the imperialism leading to World War II.
Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.
Mr. Ogata lives a complicated life: he's is a pornographer making two skin flicks per day and trying to stay beneath the radar screen of the local mob; he deeply loves his ailing wife Haru who's cursed by the restless spirit of her dead first husband; he also has a mistress, a step-son who wants to go to university, and a step-daughter entering adolescence. He lusts after his step-daughter, and he asks Haru if he can marry her. Haru agrees to his plan, signs over her business to him, and a crisis ensues when Ogata uses her nest egg to buy equipment so he and his pals can set up their own film processing lab. Surreal images and events weave their way into Ogata's life.
"O" is a talented photographer in her late twenties with a promising career ahead of her. She is torn, however, between the tasks financial realities are forcing upon her and between her own artistic aims. Encouraged by her boyfriend, Rene, "O" decides that she should pursue her artistic passion without reservation, setting aside financial realities until she has completed her very beautiful, avant-garde book of original photos. In hopes of enabling "O" to focus her energies on the book, Rene introduces her to a mysterious benefactor, the wealthy and powerful Sir Stephen. What starts out as a promising arrangement, turns out to be self-destructive for "O". She allows outside influences to corrupt her artistic vision, as she is drawn into a seductive world of deceit, power, and eroticism
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
Kinichi and Akiko meet when they visit their fathers in prison. After successfully gambling on a bicycle race, they spend an enjoyable day together at the beach. Akiko, who tries to make money as an artist's model to pay for her mother's medical expenses, now has to find 100,000 yen to pay off the company from which her father embezzled. Kinichi also requires 100,000 yen as bail for his father, who is accused of election fraud. Kinichi tries to borrow 100,000 yen from his mother, whom he has not seen for three years.
The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.
A man wanders into a seemingly deserted town with his young son in search of work. But after a bit of bad luck, he joins the town's population of lost souls.
A guy's life is turned around by an email, which includes the names of everyone he's had sex with and ever will have sex with. His situation gets worse when he encounters a femme fatale (Ryder) who targets men guilty of sex crime.
Moody realism conveys a stark poetry in this tale of a cab driver stuck with an abandoned baby in his back seat. Moral quandaries and social fears vie with eroticism when the driver and a lonely woman spend the night with the baby as the phantom facsimile of a family. The filmâs finale, set in an orphanage, is a stunning, haunting piece of social realism that was to send ripples of influence through the next four decades of Iranian cinema.
In the city of Yokosuka, Kinta and his lover Haruko, both involved with yakuza, brave the post-occupation period with a goal to be together.
Author Frank's debut novel is successful, but he needs the proceeds to pay off a debt and his girlfriend Mascha ends their relationship. He meets another woman, but he and Mascha also seem to make amends. These amorous vicissitudes give him inspiration for a new book, which will deal with eroticism in the Netherlands.
A young journalist interviews an elderly woman about being forced into prostitution in Borneo at a brothel called Sandakan No. 8.
In a Japanese version of "Oedipus Rex," a gay son murders his mother and sleeps with his father.
LSD explores the human emotions of love, sex & betrayal through very candid points of view. Told through the chaos of the camera that has invaded all our lives - through handy cams filming home movies, security cameras shooting every inch of existence, mobile phones transmitting love messages, sting cameras uncovering uncomfortable truths.
A pimp with no other means to provide for himself finds his life spiralling out of control when his prostitute is sent to prison.
In Osaka's slum, youth without futures engage in pilfering, assault and robbery, prostitution, and the buying and selling of identity cards and of blood. Alliances constantly shift. Tatsu and Takeshi, friends since boyhood, reluctantly join Shin's gang. Shin's an upstart and moves his gang often to avoid the local kingpin. Hanoko is a young woman with ambitions: first she's in the blood business with her father, then she joins forces with Shin. She soon breaks off that partnership, even though she's taken the sensitive Takeshi under her wing. Double crosses multiply. Those with the closest bonds become each others' murderers.
Joan Mares obsession for the lovely and luscious Norma Valenti takes epic proportions because he cannot let go of her. After he is injured by some skin heads, he uses his scars to pursue his life as a street musician. He devices a plan to get to Norma and she never catches on to his deceit, except she realizes that as Juan Faneca his performance in bed is exactly what she had experienced with Joan Mares because she concludes they were taught sex by the same prostitute.
Willie Dynamite is a pimp who operates in New York City. Willie was a big success as a pimp, but now, just as fast as he rose to the top, he has hit bottom. A former prostitute who has become a social worker tries to get Willie to clean up his life while it is still possible.
Nagisa Oshimaâs most personal film is a reflection by the director on his own disillusionment with the revolutionary student movement of the 1950âs and the failure of political radicalism. Taking itâs title (as a reference or homage) from Alain Resnaisâ pivotal 1956 documentary Nuit et Brouillard, the film has a group of former student revolutionaries who meet again years later at the wedding of one of their classmates. Old feelings, rivalaries and grudges gradually erupt to the surface as the one-time friends recall the various treacheries by which their cause was defeated. Cutting between times past and the present, and unfolding the action from each of his characters viewpoints, Oshima creates an abstract and yet engrossing study of passions past and principles eroded. âYume Pictures
The story is loosely based on a 17th century erotic Chinese story named The Carnal Prayer Mat and follows a young scholar named Yangsheng who gets married to the beautiful daughter of a local merchant. When their sex life proves unsatisfactory, Yangsheng leaves home and journeys to the Pavilion of Ultimate Bliss.
A group of 20-something blue-collar workers in Pittsburgh cook up a scheme to make extra money that involves prostitution. Their business takes off, then gets way out of hand.
A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
As her husband Eiichi becomes more entangled in his life as businessman, Naoko looks for ways to expand her own life even as her husband's life shrinks in scope and intimacy. She finds new interests, new love, and a greater sense of her place in the world.
Sex Madness (1938) is an exploitation film directed by Dwain Esper, along the lines of Reefer Madness, supposedly to warn teenagers and young adults of the dangers of venereal diseases, specifically syphilis. Wild parties, lesbianism, and premarital sex are some of the forms of madness portrayed. The educational aspect of the film allowed it to portray a taboo subject which was otherwise forbidden by the Production Code of 1930, and its stricter version imposed by Hollywood studios in July 1934.
Based on true events, Lakshmi is a story of heroism and untold courage. Lakshmi, a 13 year old girl is kidnapped and sold into prostitution. Thrown into this horrific, inhuman world where she is raped and brutally beaten she barely survives with the help of the other girls and her own will to never give in. Finally she is rescued in a police raid. Against all odds, Lakshmi shows courage where everybody else fails. Resisting all pressure - violent threats, coercion and bribes, she stands up in court and in a landmark case in India, succeeds in putting the traffickers behind bars.
Muraki, a hardboiled Yakuza gangster, has just been released from prison after serving a sentence for murder. Revisiting his old gambling haunts, he meets Saeko, a striking young upper-class woman who is out seeking thrills, and whose presence adds spice to the staid masculine underworld rituals. Muraki becomes her mentor while simultaneously coping with the shifts of power that have affected the gangs while he was interred. When he notices a rogue, drug-addicted young punk hanging around the gambling dens, he realizes that Saeko's insatiable lust for intense pleasures may be leading her to self-destruction.
A filmmaker (van den Driessche) holds a series of boundary-pushing auditions for his project about female pleasure.
A collection of sketches on prostitution through the ages. 1) "The Prehistoric Era": A caveman discovers that a cavewoman is more attractive when cave paint is applied to her face. And she can earn more seashells that way. 2) "Roman Nights": The Emperor goes out seeking a little nocturnal amusement, only to find that the high-priced, Oriental courtesan he hires is his wife, the Empress. 3) "Mademoiselle Mimi": In revolutionary France, Mimi finds that her client, the nephew of a marquis, is more interested in watching the guillotinings out her window than he is in going to bed. 4) "The Gay Nineties": When Nini discovers by accident that her antiquated customer is a banker, she pretends to be an honest woman who has fallen in love with him. She even pays him, just like a gigolo! 5) "Paris Today": Two girls pick up clients by driving around in a car...
Sadako, cursed by generations before her and neglected by her common-law husband, falls prey to a brutal home intruder. But rather than become a victim, she forges a path to her own awakening.
They meet and they make love. They live together and they make love. Dong-Ki has one night stand with Shin-Ah, a woman who has hardly any faith in true love but indulge herself in sex. Shacking up and making love with each other day in and day out, these two young persons, however, find themselves argue about tiny little things and soon they grow tired of each other. Separation, nevertheless, makes Dong-Ki realize that he has already found the love of his life and a marriage proposal is his next step. Shin-Ah, on the other hand, has no intention to settle down...
Fed up with her present lifestyle, and more particularly sexually unsatisfied by her boyfriend Fred, Sandrine decides to find a new way in life. Intrigued by her friend Sophie, who tells her about her sexual experimentations, she will find, through various encounters, new pleasures and new experiences, whether physical or spiritual.
A call girl goes to a priest to confess a sin she hasn't committed yet: she plans to kill herself on her next birthday. Then she disappears and he goes looking for her, enlisting the help of an ad hoc congregation of troubled souls along the way. A story about forgiveness.
Jumpei Niki, a Tokyo based entomologist and educator, is in a poor seaside village collecting specimens of sand insects. As it is late in the day and as he has missed the last bus back to the city, some of the local villagers suggest that he spend the night there, they offering to find him a place to stay.
A budding gangster enthralls a freeloading young woman, soon taking advantage of her knack for hitch-hiking to rob middle-class, middle-aged men.
Aileen Wuornos is an emotionally scarred highway hooker who shoots a sadistic trick who rapes her and ultimately becomes America's first female serial killer. The film, based on a true story, centers more on the surrounding circumstances than on the murders.
Deals with the intolerably hard life of a family of four, the only inhabitants of a very small Japanese island in the Setonaikai archipelago. Several times a day they row over to the neighboring island to fetch water for their miserable fields.
A sexually repressed woman's husband is having an affair with her sister. The arrival of a visitor with a rather unusual fetish changes everything.
Something terrible is happening in class 3A at Calmecatl Junior High. No one can leave the classroom until the guilty party is found. This is the device that gives us a glimpse of the ethics, games, esthetics and eroticism of these girl-women. It is not easy to say what the subject is, there are so many: the discovery of sexuality, discrimination, chance, drugs, maternity, traditions, betrayals, power, love. A mural of a complex reality from the point of view of twenty-something women in the skin of 14 to 15 year old girls.
This melodrama investigates the life of a prostitute in a pseudo-documentary style.
A Hindi feature film set in the lower depths of Bombay's "C" grade film industry. Miss Lovely follows the devastating story of two brothers who produce sleazy horror films in the mid-1980s.
A peerless chronicler of the soul who specialized in supremely emotional, visually exquisite films about the circumstances of women in Japanese society, Kenji Mizoguchi had already been directing movies for decades when he made The Life of Oharu in 1952. But this epic portrait of an inexorable fall from grace, starring the astounding Kinuyo Tanaka as an imperial lady-in-waiting who gradually descends to street prostitution, was the movie that gained the director international attention, ushering in a new golden period for him.
As Matthew Perry brings Japan into contact with the modern West, an assassin must choose whether to support the Shogunate or reinstall the Emperor.
This is the story of Samantha Horton, a former Texas homecoming queen and physical therapist. When both she and her husband, Rex, are laid off from their jobs, Samantha accepts an offer to work at a massage studio in a nearby town, not realizing that the other staff members are actually prostitutes who service a clientele of wealthy and powerful businessmen. Eventually realizing what goes on behind closed doors, but desperate to provide for her family, Samantha goes along for the ride. But when the police raid the business and Samantha is arrested, she ends up as a key witness in the case â putting high-profile johns in handcuffs and bringing a small Texas town to its knees.
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