Tomorrow Is Another Day (1951)
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Ex con turned private investigator Bradford Galt (Mark Stevens) suspects someone is following him and maybe even trying to kill him. With the assistance of his spunky secretary, Lucille Ball, he dives deep into a mystery in search of answers.
Framed in the 1940s for the double murder of his wife and her lover, upstanding banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden. During his long stretch in prison, Dufresne comes to be admired by the other inmates -- including an older prisoner named Red -- for his integrity and unquenchable sense of hope.
In this film noir classic, a revenge-seeking gangster (Dennis O'Keefe) is sent to prison after being framed for a crime he didn't commit. After seducing a beautiful young woman, he uses her to help him carry out his plot for vengeance, leading him to the crazy pyromaniac (Raymond Burr) who set him up.
From Wikipedia, the free encyclopedia. T-Men is a semidocumentary style 1947 film noir shot in black-and-white. The film was directed by Anthony Mann with cinematography by noted noir cameraman John Alton. The B-movie is featured in Visions Of Light: The Art Of Cinematography (1992) documentary for the drama's use of lighting. Description above from the Wikipedia article T-Men, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The story centers on paroled white supremacist who has just killed a cop, and takes a black family hostage. Within hours of being released from 14 years of solitary confinement in maximum-security Pelican Bay State Prison, Garrett Tully is on the run again. When he finds a house off a dirt road and takes a family hostage, he thinks the Aryan Brotherhood has his backâand his kidnap victims are black. The familyâs patriarch, Mr. Walker, is a jaded ex-con who hates cops so much he disavowed his own son for becoming one. Seeing a familiar desperation in Tully, Walker refuses to call the authorities for help, causing familial tensions to escalate, and soon grave missteps are made.
When a career criminal's plan for revenge is thwarted by unlikely circumstances, he puts his intended victim's son in his place by putting him in prison...and then joining him.
Corky, a tough female ex con and her lover Violet concoct a scheme to steal millions of stashed mob money and pin the blame on Violet's crooked boyfriend Caeser.
Otto Preminger's classic film noir offering captures the common postwar struggle to get ahead, and one man's balancing act between two women. Dana Andrews stars as a drifter named Eric Stanton, who, after landing in a small California town, falls in love with Stella (Linda Darnell), a diner waitress. She makes it clear that she'll have nothing to do with Eric unless he has some money, so he hatches a plan to marry June Mills (Alice Faye), a wealthy reclusive spinster who is in love with him. Unfortunately, right after the wedding, Stella turns up dead, and the blame is placed on Eric.
Barton MacLane stars as a tuna fisherman who has been wrongfully convicted of a murder he did not commit. His exemplary behavior in prison ensures that he is up for early parole. He realizes, however, that his movements will be limited, and he will be unable to join and wed his beloved. The only solution is to escape and hunt down the real killer, himself.
Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry who, framed for murder, escapes San Quentin and soon emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is."
An ex-con finds unexpected romance with the widow of his former accomplice as he tries to collect his hidden loot.
This unusual and worthwhile black-and-white film noir was one of the first movies to deal with issues of anti-Semitism.
When petty criminal Luke Jackson is sentenced to two years in a Florida prison farm, he doesn't play by the rules of either the sadistic warden or the yard's resident heavy, Dragline, who ends up admiring the new guy's unbreakable will. Luke's bravado, even in the face of repeated stints in the prison's dreaded solitary confinement cell, "the box," make him a rebel hero to his fellow convicts and a thorn in the side of the prison officers.
This film noir stars Alan Ladd as a war veteran framed for the murder of his own wife and follows his search for the real murderer. Veronica Lake plays the sultry femme fatale who provides unexpected help.
A dramatization of the one possibly successful escape from the notorious prison.
The Horatio Alger parable gets the film noir treatment with the redoubtable Edmund OâBrien as a whip-smart telephone technician who moves up the ladder of a Syndicate gambling empire in Southern California until distracted by an inconveniently married Joanne Dru and his own greed. Ripped from the headlines of the 1950 Kevaufer Organized Crime Hearings, this fast-moving picture is laden with location sequences shot in Los Angeles, the Hoover Dam and Palm Springs including the famous Doll House watering hole on North Palm Canyon Drive!
In order to avoid a jail sentence, Sean Boswell heads to Tokyo to live with his military father. In a low-rent section of the city, Shaun gets caught up in the underground world of drift racing
When a robbery goes awry, the bandits all end up in a puddle of blood and only one lives and goes to jail for five years. Upon his release, the girlfriend wants her new boyfriend to kill him. Only trouble is the boyfriend knows that the fault was not the ex-con's and can't bring himself to do the task. Meanwhile, the ex-con tries to turn his life around by becoming a boxer and training under a former heavyweight contender.
A young man who was sentenced to 7 years in prison for robbing a post office ends up spending 30 years in solitary confinement. During this time, his own personality is supplanted by his alter ego, Charles Bronson.
1952 black and white Cold War spy film, entirely without dialog
It's a major double-cross when former police officer Brian O'Conner teams up with his ex-con buddy Roman Pearce to transport a shipment of "dirty" money for shady Miami-based import-export dealer Carter Verone. But the guys are actually working with undercover agent Monica Fuentes to bring Verone down.
Illicit lovers plot to kill the woman's older husband.
Based on the novel Low Company. One of the most peculiar film noirs of the 1940s stars Barry Sullivan as a small-time hood who suffers a mental breakdown as his big plans begin to crumble. Beautiful Belita is the slumming society girlfriend who only fuels his paranoia.
Frank Leone is nearing the end of his prison term for a relatively minor crime. Just before he is paroled, however, Warden Drumgoole takes charge. Drumgoole was assigned to a hell-hole prison after his administration was publicly humiliated by Leone, and has now arrived on the scene to ensure that Leone never sees the light of day.
Caged tells the story of a teenage newlywed, who is sent to prison for being an accessory to a robbery. Her experiences while incarcerated, along with the killing of her husband, change her from a very frightened young girl into a hardened convict.
The Naked City portrays the police investigation that follows the murder of a young model. A veteran cop is placed in charge of the case and he sets about, with the help of other beat cops and detectives, finding the girl's killer.
The film tells the story of a well-planned robbery of an armored car when it stops at a sports stadium. Yet, the heist goes awry, and a tough Los Angeles cop named Cordell (Charles McGraw) is in hot pursuit.
After a woman shoots a man to death, a damning letter she wrote raises suspicions.
An ex-con becomes a daredevil photojournalist.
Frank Johnson, sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris, on the theory that Frank is trying to escape from possible retaliation. Frank's wife, Eleanor, suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett, Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor.
A mystery woman is a murder suspect's only alibi for the night of his wife's death. Based on a story by noir scribe Cornell Woolrich.
Ricky, a dim-witted ex-con, meets Beth, a dim-witted waitress, in an Idaho diner. They take off in his car to Washington and begin an affair. Beth, a lonely romance-novel addict, is hopelessly enamored; Ricky is just in it for the (constant) sex. Beth's longing to visit California and Ricky's longing for quick cash leads them into a desperate situation. Director Jost uses a variety of avant-garde visual and narrative techniques, such as montage, collages, split screens and lengthy, tongue-in-cheek monologues to tell the tragicomic story of two complete losers in love.
Ray, an ex-con and widower, is planning a coin heist with two accomplices to help him to buy his own bakery. However, he doesn't expect his son Timmy, who was living with Ray's sister, to show up at the house right in the middle of planning. Timmy is ignored and Ray and his buddies pull off the heist. Timmy gets his father's attention by stealing the coins and hiding them. To get them back, his father must take him to a number of different places and treat him like he enjoys his presence. They grow fond of each other but Timmy won't stay with his dad unless he gives up the coins.
James Cagney directs this remake of the film noir classic This Gun for Hire.
The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.
Jimmy Kilmartin is an ex-con living in Astoria in the New York City borough of Queens, trying to stay clean and raising a family with his wife Bev. But when his cousin Ronnie causes him to take a fall for driving an illegal transport of stolen cars, a police officer named Calvin Hart is injured and Jimmy lands back in prison. In exchange for an early release, he is asked to help bring down a local crime boss named Little Junior Brown. Jimmy remarries and attempts to renew a relationship with his child. But he is sent undercover by Detective Hart to work with Junior and infiltrate his operations. As soon as Little Junior kills an undercover federal agent with Jimmy watching, the unscrupulous district attorney and the feds further complicate his life. He must take down Junior or face the consequences.
The feature-film debut of famed director Louis Malle is an interesting, modern film noir with the classic theme of lovers plotting to kill the husband and make it look like suicide (reminiscent of The Postman Always Rings Twice). Jeanne Moreau gives an astonishing performance, perverse but naive as she leads her young lover down a path that can only lead to doom for both of them.
Grier and Haig are thieving mercenaries who engineer a prison break from the outside.
A vicious loan shark ring has been preying on factory workers. When several workers at a tire factory suffer violence at the hands of the loan sharkers, a union leader and the factory owner try to recruit ex-con Joe Gargan to infiltrate to the gang. At first Joe does not want to get involved, but changes his mind when his brother-in-law dies at the hands of a savage loan shark hood. Joe works his way into the mob, but in order to keep his cover, Joe can't tell anyone what he is up to. This results in him being disowned by his sister and girl friend.
The spirit of a long-dead prisoner returns for revenge, haunting the prison's new governor.
Tough NYC police detective Dixon misses out on a promotion because of his record of roughing up suspects. When accidentally kills a suspect in a murder case he plants clues to absolve himself. But when the father of a woman he recently fell in love is accused of the crime his plan looks like back firing.
After killing her father who had attempted to rape her, Maria da Guerra is sentenced to prison for life. The wardress is a sadistic lesbian without mercy or humanity. Upon her arrival Maria is taken to a special section for mentally disturbed prisoners where torture and rape are part of the day-to-day reality. One day the Regional Governor arrives, claiming to have received a letter from one of the prisoners describing incredible events in the prison. The writer of the letter was clearly unaware that the Governor is also part of the conspiracy. Carlos Costa, a male nurse pretending to be the prison doctor Moore, falls in love with Maria. After seducing him, Maria kills him with a pair of scissors and escapes with her friends Bertha and the disturbed Rosario, hoping to find safety in the Governor's house, unaware that he will not help them...
Petty crook and cop-killer Martin Rome, in bad shape from wounds in the hospital prison ward, still refuses to help slimy lawyer Niles clear his client by confessing to another crime. Police Lt. Candella must check Niles' allegation; a friend of the Rome family, he walks a tightrope between sentiment and cynicism. When Martin fears Candella will implicate his girlfriend Teena, he'll do anything to protect her. How many others will he drag down to disaster with him?
With or without help from law enforcement officers, a lone individual decides to crack down on the syndicate.
A parole officer falls in love with the ex-con who was his charge.
Convicted of manslaughter for a drunken driving accident, Kent (Robert Montgomery) is sent to prison. Here he meets vicious incarcerated figures who are planning an escape from the brutal conditions. What the inmates believe to be a seamless plan turns into an all out massacre in this hard nosed crime drama.
When a robbery at a racetrack goes wrong ex-con Johnny Bannion is caught and sent back to prison. He won't tell the rest of the gang where he has stashed the loot leading to violent consequences.
Billy Hayes is caught attempting to smuggle drugs out of Turkey. The Turkish courts decide to make an example of him, sentencing him to more than 30 years in prison. Hayes has two opportunities for release: the appeals made by his lawyer, his family, and the American government, or the "Midnight Express".
Greg Powell, a disturbed ex-con, recruits Jimmy Youngblood (Smith) a petty thief, as partner in crime. Powell panics when they two of are pulled over by two cops for tail lights. Powell decides to kidnap the cops and Smith goes along with his crazy scheme. They drive out to a deserted onion field in Bakersfield, where one cop is killed and the other escapes. The film explores the consequences.
Newspaper reporter John McGuire plunges into a nightmare of guilt, fearing that his "evidence" has sentenced the wrong man to death. A stunning example of cinematic expressionism, cited by many as the first studio film shot in a completely noir style. Peter Lorre virtually reprises the eerily convincing persona he created in Fritz Lang's M, adding an emotion-wringing melancholia to his performance as a paranoid, lost soul. Featuring the astounding art direction of Van Nest Polglase and the brilliant cinematography of Nicholas Musuraca, as well as reportedly uncredited script work by Nathanael West (The Day of the Locust)!
A man befriends a fellow criminal as the two of them begin serving their sentence on a dreadful prison island, which inspires the man to plot his escape.
Writer, ex-con and 40-something bottle-baby Tim Madden, who is prone to black-outs, awakens from a two-week bender to discover a pool of blood in his car.
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he's finally released for lack of evidence--after having been beaten up and tortured by the police--he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops.
Based on Jay Dratler's novel The Pitfall, André de Toth's gripping film is a classic L.A. noir in the tradition of Detour, and shows the spiraling, epic consequences resulting from one fateful decision.
An ex-con man and his five trained Dobermans help a Treasury Dept. agent stop a racketeer and his gang.
Centring on the activities of a gang of assorted criminals and, in particular, their leader â a vicious young hoodlum known as "Pinkie" â the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.
Private Detective Philip Marlowe is hired by a rich family. Before the complex case is over, he's seen murder, blackmail, and what might be love.
A young man goes to prison and a tough, older convict takes him under his wing as a mentor.
At the end of the 1950s, in a more innocent America, the brutal, meaningless slaying of a Midwestern family horrified the nation. This film is based on Truman Capote's hauntingly detailed, psychologically penetrating nonfiction novel. While in prison, Dick Hickock, 20, hears a cell-mate's story about $10,000 in cash kept in a home safe by a prosperous rancher. When he's paroled, Dick persuades ex-con Perry Smith, also 20, to join him in going after the stash. On a November night in 1959, Dick and Perry break into the Holcomb, Kansas, house of Herb Clutter. Enraged at finding no safe, they wake the sleeping family and brutally kill them all. The bodies are found by two friends who come by before Sunday church. The murders shock the small Great Plains town, where doors are routinely left unlocked. Detective Alvin Dewey of the Kansas Bureau of Investigation heads the case, but there are no clues, no apparent motive and no suspects...
Stark, perverse story of murder, kidnapping, and police corruption in Mexican border town.
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