The Prizefighter and the Lady (1933)
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A chorus girl (Marion Davies) and a heavyweight boxer (Clark Gable) are paired romantically as a publicity stunt.
John J. is a seasoned hit man sent on a job to Argentina. When the General he's sent to kill delays his return to the country, John passes the time with Manuela, a beautiful dancer who becomes his teacher and guide into Argentina's sensual world of the tango.
Terry Malloy dreams about being a prize fighter, while tending his pigeons and running errands at the docks for Johnny Friendly, the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny's thugs, and later meets the dead man's sister and feels responsible for his death. She introduces him to Father Barry, who tries to force him to provide information for the courts that will smash the dock racketeers.
"Bags" the boxer (funnyman Tim Conway) and his manager, Shake (Don Knotts), are quite a pair: One is a dim bulb, and the other has a mean streak. Times are tough and they must save their gym, so they line up some moneymaking fights. But when Bags and Shake discover that the bouts have been rigged, they end up with their backs to the wall and must fight back -- literally.
Prizefighter Jimmy Nolan, facing an opportunity to get a championship fight, is knocked out when he sustains what is apparently a permanent injury to his arm. From there, Nolan's path leads downhill. He is drawn into a romance with a nightclub entertainer, then is framed on a theft charge by a jealous suitor. After his prison term, Nolan makes a spectacular comeback in a fight which proves his courage and integrity, while disproving the fallacy about the old sports adage that "they never come back."
Clyde Williams and Billy Foster are a couple of blue-collar workers in Atlanta who have promised to raise funds for their fraternal order, the Brothers and Sisters of Shaka. However, their method for raising the money involves travelling to New Orleans and rigging a boxing match.
The Jeffersonâs honeymoon night in Hong Kong will be troubled by a number of people wishing to get hold of a Bouddha statuette that the husband offered her when window-shopping that day. When the going gets rough, it helps that Cal Jefferson is a top American boxer.
Beloved priest Father Thomasino is murdered in a San Francisco alley, and the police have few clues. But traffic cop Joe Martini becomes obsessed with finding the killer; he suspects Sylvio Malatesta. Ordered off the case, Joe turns in his badge and investigates alone. Soon he is a close friend of the Malatesta family, all delightful people, especially lovely cousin Anna. Uncertain whether Sylvio is guilty or innocent, Joe is now torn between old and new loyalties.
The story tells of Russ Lambert (Robert Mitchum), a prize-fighter with a lethal right-handed punch, who through no fault of his own, killed a fighter in the ring. Since the fight his life has gone downhill.
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Accidentally discovering the operations of the Blood Ninja gangsters, a mischievous young man masters the skills of the Drunk Fist and proceeds to fight against them. But the gangsters join forces, vowing to kill him before the young master destroys them all.
A mob enforcer is set up to take the fall for a multi-million dollar heist involving a rival gang boss. Merle (Eric Roberts) is a gambler stuck on a twenty-year losing streak, but his luck is about to change. Surviving a trap that was intended to kill him, Merle makes away with a beautiful woman and a piece of the take. Most men in that position would have been content to simply walk away with their lives, but Merle has been loyal for twenty years. Realizing he's been betrayed, something inside snaps. They used to call him "The Butcher" as a joke, but the laughter turns to screams when Merle returns to deliver the ultimate punchline.
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In Italy, the American writer Sam Dalmas (Tony Musant) witnesses an attempt of murder of the owner of an art gallery, a couple of days before his foreseen return to the United States of America. He decides to stay with his girlfriend Julia (Suzy Kendall) and help the police in the investigation, while the serial killer stalks Julia and him.
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A washed-up Mexican-American prize fighter is just starting to get back on his feet when his daughter is kidnapped while investigating a political splinter group in Mexico. The police and the State Department are little help, so he must take justice into his own hands and rescue her from the clutches of a bizarre racist cult.
An up-close and personal examination of the life, music and career of the legendary entertainer. Told in his own words from hours of archived interviews, along with commentary from those closest to him, the documentary weaves the music and images from Sinatraâs life together with rarely seen footage of his famous 1971 âRetirement Concertâ in Los Angeles. The filmâs narrative is shaped by Sinatraâs song choices for that concert, which Gibney interprets as the singerâs personal guide through his own life.
David Blair directs this powerful British Drama, loosely inspired by John Steinbeck's novel 'Of Mice and Men'. Set in Nottingham, the film revolves around the relationship between the thuggish Danny (Stephen Graham) and Joseph (Adewale Akinnuoye-Agbaje), a giant of a man with a mental age of seven. When Danny finds himself in debt to a local crime boss, he feels he is left with no choice but to manipulate Joseph into participating in a series of underground cage fights from which Danny can pay his debts.
The film begins in 1917 with Stan (Stan Laurel) and Ollie (Oliver Hardy) being drafted into the U.S. Army to fight in World War I. While in the Army, the pair befriend a man named Eddie Smith, who is kidnapped and killed by the enemy during a battle. After the War is over, Stan and Ollie venture to New York City, where they begin a quest to reunite Eddie's baby daughter (Jacquie Lyn) with her rightful family. The task proves both monumental and problematic as the boys discover just how many people in New York have the last name "Smith".
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Summers develops a quasi-autobiographical fictional frame for an inquiry into a gallery of Spanish celebrities who have decayed into something worse than total abandonment. The film visits a popular singer, a champion prize fighter who has been committed to an asylum, and an ancient matador returning to the ring among many others to probe the anomie that comes with fame as a privilege at its apex and a curse at its bitter end. This film treads somewhere between what could have been a legitimate "essay film" and a commercial "where are they now" featurette. The treasure hunt for the "campeón maldito" or "estrella maldita" (cursed champ or star) seems to be a fixture of Spanish popular culture today (as of course it is in a coarser way today in Anglo-American culture). In any event, this is an interesting instance of this.
A woman falls in love with the man who killed her former boyfriend.
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A prepubescent chess prodigy refuses to harden himself in order to become a champion like the famous but unlikable Bobby Fischer.
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